#aiop

[ART FIGHT ATTACK]

3 page guide “How to Dance Tinikling” made as an accompaniment for the interactive part of my installation: Phantom Home (Tinikling in the Tune of an Empty Room)

Anna Cruz, 2017

Condom Cloud 2025 | West Hollywood, California

>DAY THREE | SUN 27 JUL → Sunset Strip

The third and last day was on the fabled Sunset Strip. Passers-by didn't engage as much as the other iterations, but it was rewarding to present the piece on the street. The Viper Room was fashionable around the time I made the original Condom Cloud (Johnny Depp's club where River Phoenix overdosed). Supreme has a unique history that also dates to the early to mid 90's. More documentation to come. Viper Room photo by Brigitte Smeza, Supreme photo from drunk girl on the street.

> DAY TWO | SAT 26 JUL → West Hollywood Park

Condom Cloud 2025 | West Hollywood, California

> DAY ONE | FRI 25 JUL → Plummer Park

Normally, I’d inflate a bunch of condoms and attach them to my body so the entrance has impact. But because we had three hours to fill (and previous versions hadn’t invited much public interaction) I decided we’d start minimalist: just one condom each. We'd slowly build the “cloud” over time.

As we dressed in the parking lot, my final note to Brigitte was that we should be solemn but approachable. I used the example of a funeral director: warm, composed, with a comforting gravitas. I imagined our presence as statuesque and the action as quiet, steady, and purposeful, with occasional interaction.

That all changed immediately.

The park was small and enclosed, mostly filled with families and young children. The moment we entered, we were swarmed. There was no space for solemnity so we recalibrated quickly. Smiles. Innocent banter. Playfulness. We weren’t quite used to the materials yet. We had prepared 100 ribbons with metal rings (to attach to wrists and to weight them down, keeping them eco-safe).

After the first hour, we found our rhythm and (admittedly) felt like balloon vendors. Not what we expected, but not unwelcome either. On the way to the venue, I’d told Brigitte my dream was to see 100 inflated condoms scattered across the landscape as a living sculpture. Plummer Park exceeded that by far. We had to return to the car for more materials. In the end, 150 balloons floated through the park, mostly on the wrists of exuberant children.

Some parents were really cool. Others, visibly uncomfortable. One couple asked if they were condoms (obviously!), and when I confirmed, they declined for their child. I get it. Still, it plants a seed—forces a conversation. That’s a form of micro-activism I fully embrace.

Two moments stand out:

Early on, a bold, attention-seeking child (future artist, clearly) looked at a deflated condom and declared, “It looks like a cucumber!” She wanted to know what kind of balloon it was because she’d never seen one like that before. It was early in the day, and we were still cautious, worried the villagers might rise up. They didn’t. All was well.

Later, out of nowhere, a small child looked at me and asked, “Are you a boy?” Flustered and not wanting to ruffle feathers, I answered reflexively: “Sorta.”

The City of West Hollywood presents 𝘈𝘳𝘵𝘪𝘯𝘖𝘥𝘥𝘗𝘭𝘢𝘤𝘦𝘴 (𝘈𝘪𝘖𝘗) 2025: 𝘝𝘖𝘐𝘊𝘌, a citywide performance art festival Curated by Deborah Oliver, July 25 – 27, 2025, 4:00 – 9:00 p.m. 🎉 I’m thrilled to announce my participation in this year’s edition of AiOP! If you’re on the West Coast, you have THREE chances to catch my work:

FRI 25 JUL → Plummer Park SAT 26 JUL → West Hollywood Park SUN 27 JUL → Sunset Blvd

Above photo by Sami Emory for VICE.com review of Art AIDS America, Alphawood Foundation, Chicago 2017.

Here are some initial ideas I want to put out into the ether.

The laundry trolley (in the image below), or something similar, will be perfect for a mobile condom inflation station to cart the helium and other materials while providing a place to hang the ribbons. Brigitte Smeza will be assisting me with this as a performer, assistant, and occasional documenter.

Also, the step stool is shown because I'm interested in getting a 5XL dress and standing stationary on the stool, bending down to gift the condom balloons to passers by - my dress falling all the way down to the ground. This elevated position will be a striking image.

I'm thinking of putting small clips on the ends of the ribbon. This would allow for multiple forms of attachment and have more substance than just a knot. It might be too labor intensive or too expensive, but it would be great. They could be clipped anywhere on my costume. I could also clip them to passersby (with their permission, of course!). In the last iteration of this piece the ribbons were around my neck - I like this - but perhaps they're attached somewhere else this time...or multiple places...

Know that I will be making the ribbons shorter than in the past - only about three feet so they are more manageable for people to take with them and I'll have a little more clearance above me (especially for the street performance where overhanging signs and branches could be a problem). So the cloud will float just above my head.

I'm not sure what the weather will be like, but I'm sensitive to sun and heat. I'm looking at dresses that are %100 Linen (preferred) or maybe cotton. But loose and cool. I'm most attracted to the sleeveless ones that simply drape from the shoulders, but then the shoulders are bare. I found some long sleeve options, too. I'll get a variety to test.

Cage skirts could be used to hold inflated condoms and they would show! This will be a great image!! I imagine wearing a big cage hoop skirt, red or white depending on the base color - to contrast, and inside it will be filled with inflated condoms...holding me up...I found a small/short one for Brigitte, perhaps a contrasting color.

I'd like to dye the white dresses hombré from deep black/red at the bottom through bright red to white to white at the top - as if we walked through blood and mud. BUT somehow I want it to look more chic than halloween. A good dye job will help - a quality hombré - but maybe some sparkle or velvet or something to contrast/elevate it. We'll see...it might be too much.

Side note: I do see Brigitte's role as an acolyte in this performance but admit that I'm not totally comfortable with the hierarchical imagery and want to go on record as knowing it's not great. But I'm still going forward and will try to find opportunities to offset that power dynamic.