☕ Rockabilly Triumph T110 Cafe Racer 🏍️ - MUSIC VIDEO!
Rockabilly Triumph T110 Cafe Racer ☕🏍️ - Biker girl sips coffee on her custom 1957 Tiger road rocket! AI generated music vibes straight from the 50s rebel heart. Reblog if you're hooked! 🔥💥
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☕ Rockabilly Triumph T110 Cafe Racer 🏍️ - MUSIC VIDEO!
Rockabilly Triumph T110 Cafe Racer ☕🏍️ - Biker girl sips coffee on her custom 1957 Tiger road rocket! AI generated music vibes straight from the 50s rebel heart. Reblog if you're hooked! 🔥💥

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Except You (releasing tommorow), is contained within a mythological garden. Symbolism abounds, as luma acts, almost like a reverse medusa, turning stone things back into life. Stone birds at a waterbath, stone carp in a fountain, a stone clock that begins telling time again, a stone Venus that comes alive and enters Luma's world. Except You is a song about solitude, really. Sometimes, we think we are perfectly content with how things are, and then you appear, and everything changes.
My relationship with youtube is a never ending tug of war over what I want to do, and what an algorithm is telling me I must do.
let me explain:
As an artist, I want to create things in this world that strike at my emotional core, those things which I believe move others as well: it is a desire to put something in this world, that has artistic integrity, that holds true to a vision, that speaks to me, and that I am compelled to share with others.
That is, for me, what it means to create. And while I can play guitar and sing and act and write, and have dabbled in oil painting...I choose, at this moment, to express myself through the medium of music and music videos, using AI as my medium to create, through Luma Vale, and through youtube and soundcloud.
But in order to feel a sense of satisfaction, I must find my audience. I need to connect. that's the handshake, between those that make art, and those that consume it. And at Youtube, that means, I must create shorts.
Shorts are, by design, dopamine hits. that is it. You have less than 60 seconds to create a vision, and that's far too long before people swipe away. Realistically, you have to hook them within 3 seconds. 3 seconds! And if they're not hooked, and they swipe away, you don't get the performance metrix for youtube, and the algorithm stops distributing your short. that's the punishment you get for trying to make something artistic vs. as Gemini likes to call it, "sticky". Those that watch shorts, are trained, if I may, to swipe fast and keep moving. That's not enough time to absorb and consume nuance, artistry, beauty, meaning, or substance.
and if you don't make shorts, you don't get the organic audience.
And it is this dynamic that forces me to have to think about creating dopamine hits, little bits of back scratches, as opposed to art and message. and you know what? that's not really what I signed up for.
That's the tug of war. does that make sense?
and so i am now a factory clickbait maker. And it is neither satisfying, nor compelling, nor really at the core of what I am trying to accomplish with Luma Studios.
But i"m trying. I'm trying to find a balance within myself between what the shorts wants, and what I want.
this is my latest attempt. I'm curious to know what you think, and f you struggle with this same thing. Is this 'sticky', and yet, does it have artistic relevance, both at the same time?
How do you find your audience?
"The Vinyl" music video (Luma Vale) is a juxtaposition of noise vs. analog: We film Luma essentially in three locations: her apartment brownstone in Brooklyn New York, narrator Luma in a hazy lavender field, and a dreamy suspended space that I called Vinyl-Land on the storyboard.
As Luma puts her headphones on, and closes her eyes, we travel with her down to the very micro-elements of the vinyl record. The lyrics treat these elements as luminal moments, and hopefully we succeeded in rendering this visually. Luma sings about the moment the needle just hits the record, there is a crackle in the air, and the textured physical groove of the vinyl releases dusty particles, and music: honesty and truth in the physical manifestation of the sound it creates.
Rotational motion was essential as a familiar and iconic aspect of what a vinyl record represents: simply. It rotates. and having Luma on the record, rotating slowly around the spindle, was not easy, but I wasn't going to finish this project without it. Hopefully we succeeded, and it comes off seamlessly and effortlessly.
Anyway, these images represent Vinyl-Land. I hope you enjoy them...
[Alt pop] Quiet Controlled
Just published our new music video, Quiet Controlled to YouTube. Thank you for your ears, we welcome your love... like, comment, subscribe.

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In its final chapter of the Luma Vale song, Quiet Controlled, we place Luma Vale in rendered aesthetics of the redwood forest near Lake Tahoe, Northern California. Luma is physically standing high above the forest floor on a tight-rope without a net, to create the emotional sense of finding balance with the real consequences of failing to do so. The haze, green and wood aesthetic, along with nature, water, and flow, all serve to counter earlier elements in the song, where Luma is facing the barrage of real world noise: working as a barista in a coffee shop, being inundated by perceived self-serving and argumentative customers, transactions, noise.
Releasing on youtube this wednesday.