#aestills

𝐋𝐨𝐬𝐭 (인간실격) (𝟐𝟎𝟐𝟏), 𝐝𝐢𝐫. 𝐇𝐞𝐨 𝐉𝐢𝐧-𝐡𝐨 • • — 𝐷𝑜𝑒𝑠 𝑠𝑎𝑑𝑛𝑒𝑠𝑠 ℎ𝑎𝑣𝑒 𝑎 𝑠ℎ𝑎𝑝𝑒? 𝐷𝑜𝑒𝑠 𝑎𝑔𝑜𝑛𝑦 ℎ𝑎𝑣𝑒 𝑎 𝑠𝑖𝑧𝑒? 𝐼𝑡'𝑠 ℎ𝑎𝑟𝑑𝑙𝑦 𝑝𝑜𝑠𝑠𝑖𝑏𝑙𝑒 𝑡ℎ𝑎𝑡 𝑝𝑎𝑖𝑛 𝑐𝑎𝑛 𝑏𝑒 𝑑𝑒𝑓𝑖𝑛𝑒𝑑. 𝑁𝑜 𝑚𝑎𝑡𝑡𝑒𝑟 ℎ𝑜𝑤 𝑠𝑚𝑎𝑙𝑙, 𝑛𝑜𝑡ℎ𝑖𝑛𝑔 ℎ𝑢𝑟𝑡𝑠 𝑚𝑜𝑟𝑒 𝑡ℎ𝑎𝑛 𝑜𝑛𝑒'𝑠 𝑜𝑤𝑛 𝑝𝑎𝑖𝑛. • • Writer Kim Ji Hye said: “In Kangjae, there is sadness even when he is laughing, eating, and joking around. I did not specifically tell Ryu Junyeol of this, but every moment he portrayed was sad.” (en South Korea) https://www.instagram.com/p/CWoHu9qMvmk/?utm_medium=tumblr

𝐈𝐥 𝐌𝐚𝐫𝐞 (시월애) (𝟐𝟎𝟎𝟎), 𝐝𝐢𝐫. 𝐋𝐞𝐞 𝐇𝐲𝐮𝐧-𝐬𝐞𝐮𝐧𝐠 • • — 𝑇ℎ𝑒 𝑟𝑒𝑎𝑠𝑜𝑛 𝑤𝑒 𝑎𝑟𝑒 𝑠𝑢𝑓𝑓𝑒𝑟𝑖𝑛𝑔 𝑖𝑠 𝑛𝑜𝑡 𝑏𝑒𝑐𝑎𝑢𝑠𝑒 𝑡ℎ𝑒 𝑙𝑜𝑣𝑒 ℎ𝑎𝑠 𝑒𝑛𝑑𝑒𝑑, 𝑏𝑢𝑡 𝑏𝑒𝑐𝑎𝑢𝑠𝑒 𝑖𝑡 𝑠𝑡𝑖𝑙𝑙 𝑐𝑜𝑛𝑡𝑖𝑛𝑢𝑒𝑠. 𝐸𝑣𝑒𝑛 𝑎𝑓𝑡𝑒𝑟 𝑡ℎ𝑒 𝑙𝑜𝑣𝑒 𝑖𝑠 𝑜𝑣𝑒𝑟. • • The american remake is The Lake House. (en South Korea) https://www.instagram.com/p/CWWDE_DMb3C/?utm_medium=tumblr

𝐑𝐚𝐰 (𝐆𝐫𝐚𝐯𝐞) (𝟐𝟎𝟏𝟔), 𝐝𝐢𝐫. 𝐉𝐮𝐥𝐢𝐚 𝐃𝐮𝐜𝐨𝐮𝐫𝐧𝐚𝐮 • • — 𝐴𝑛 𝑎𝑛𝑖𝑚𝑎𝑙 𝑡ℎ𝑎𝑡 ℎ𝑎𝑠 𝑡𝑎𝑠𝑡𝑒𝑑 ℎ𝑢𝑚𝑎𝑛 𝑓𝑙𝑒𝑠ℎ 𝑖𝑠𝑛’𝑡 𝑠𝑎𝑓𝑒. 𝐼𝑓 ℎ𝑒 𝑙𝑖𝑘𝑒𝑠 𝑖𝑡, ℎ𝑒’𝑙𝑙 𝑏𝑖𝑡𝑒 𝑎𝑔𝑎𝑖𝑛. • • The director has rejected people classifying the film as a horror movie, she views her work as a mix of comedy, drama, teen movie, and body horror. (en France) https://www.instagram.com/p/CUsV99EMlwX/?utm_medium=tumblr

𝐌𝐞𝐦𝐨𝐫𝐢𝐞𝐬 𝐨𝐟 𝐌𝐚𝐭𝐬𝐮𝐤𝐨 (嫌われ松子の一生) (𝟐𝟎𝟎𝟔), 𝐝𝐢𝐫. 𝐓𝐞𝐭𝐬𝐮𝐲𝐚 𝐍𝐚𝐤𝐚𝐬𝐡𝐢𝐦𝐚 • • — 𝐸𝑣𝑒𝑟𝑦 𝑙𝑖𝑡𝑡𝑙𝑒 𝑔𝑖𝑟𝑙 𝑑𝑟𝑒𝑎𝑚𝑠 𝑜𝑓 𝑏𝑒𝑖𝑛𝑔 𝑆𝑛𝑜𝑤 𝑊ℎ𝑖𝑡𝑒, 𝐶𝑖𝑛𝑑𝑒𝑟𝑒𝑙𝑙𝑎…𝑜𝑓 𝑙𝑖𝑣𝑖𝑛𝑔 𝑖𝑛 𝑎 𝑓𝑎𝑖𝑟𝑦 𝑡𝑎𝑙𝑒. 𝑇ℎ𝑒𝑛 𝑤𝑒 𝑤𝑎𝑘𝑒 𝑢𝑝 𝑜𝑛𝑒 𝑑𝑎𝑦 𝑎𝑛𝑑 𝑠𝑒𝑒 𝑜𝑢𝑟 𝑤ℎ𝑖𝑡𝑒 𝑠𝑤𝑎𝑛 ℎ𝑎𝑠 𝑏𝑒𝑐𝑜𝑚𝑒 𝑎 𝑏𝑙𝑎𝑐𝑘 𝑐𝑟𝑜𝑤. 𝑂𝑛𝑒 𝑙𝑖𝑓𝑒 𝑖𝑠 𝑎𝑙𝑙 𝑤𝑒 𝑔𝑒𝑡. 𝐼𝑓 𝑖𝑡’𝑠 𝑎 𝑓𝑎𝑖𝑟𝑦 𝑡𝑎𝑙𝑒, 𝑖𝑡’𝑠 𝑎 𝑐𝑟𝑢𝑒𝑙 𝑜𝑛𝑒. • • It is based on a novel by Muneki Yamada. (en Japan) https://www.instagram.com/p/CRWq_cDMzY8/?utm_medium=tumblr

𝐊𝐢𝐝𝐬 𝐑𝐞𝐭𝐮𝐫𝐧 (キッズ・リターン) (𝟏𝟗𝟗𝟔), 𝐝𝐢𝐫. 𝐓𝐚𝐤𝐞𝐬𝐡𝐢 𝐊𝐢𝐭𝐚𝐧𝐨 • • — 𝑀𝑎𝑠𝑎𝑟𝑢, 𝑠ℎ𝑜𝑢𝑙𝑑𝑛'𝑡 𝑤𝑒 𝑏𝑒 𝑎𝑡 𝑠𝑐ℎ𝑜𝑜𝑙? —𝑊𝑒'𝑟𝑒 𝑎𝑡 𝑠𝑐ℎ𝑜𝑜𝑙, 𝑠𝑡𝑢𝑝𝑖𝑑. 𝑇ℎ𝑖𝑠 𝑖𝑠 𝑡ℎ𝑒 𝑠𝑐ℎ𝑜𝑜𝑙 𝑝𝑙𝑎𝑦𝑔𝑟𝑜𝑢𝑛𝑑. • • This film is Kitano’s most autobiographical work, it was made directly after he recovered from a near-fatal motorcycle accident that left one side of his body paralyzed. (en Japan) https://www.instagram.com/p/CW8sRK3sFLU/?utm_medium=tumblr

𝐀𝐬 𝐓𝐞𝐚𝐫𝐬 𝐆𝐨 𝐁𝐲 (旺角卡門) (𝟏𝟗𝟖𝟖), 𝐝𝐢𝐫. 𝐖𝐨𝐧𝐠 𝐊𝐚𝐫-𝐰𝐚𝐢 • • — 𝐵𝑒𝑠𝑖𝑑𝑒𝑠, 𝐼'𝑣𝑒 𝑏𝑜𝑢𝑔ℎ𝑡 𝑠𝑒𝑣𝑒𝑟𝑎𝑙 𝑔𝑙𝑎𝑠𝑠𝑒𝑠. 𝐼 𝑘𝑛𝑜𝑤, 𝑡ℎ𝑒𝑦 𝑤𝑖𝑙𝑙 𝑏𝑒 𝑎𝑙𝑙 𝑏𝑟𝑜𝑘𝑒𝑛 𝑠𝑜𝑜𝑛𝑒𝑟 𝑜𝑟 𝑙𝑎𝑡𝑒𝑟 𝑠𝑜 𝐼'𝑣𝑒 ℎ𝑖𝑑 𝑜𝑛𝑒 𝑜𝑓 𝑡ℎ𝑒𝑚. 𝑂𝑛𝑒 𝑑𝑎𝑦 𝑤ℎ𝑒𝑛 𝑦𝑜𝑢 𝑛𝑒𝑒𝑑 𝑡ℎ𝑖𝑠 𝑔𝑙𝑎𝑠𝑠, 𝑔𝑖𝑣𝑒 𝑚𝑒 𝑎 𝑝ℎ𝑜𝑛𝑒 𝑎𝑛𝑑 𝐼'𝑙𝑙 𝑡𝑒𝑙𝑙 𝑦𝑜𝑢 𝑤ℎ𝑒𝑟𝑒 𝑖𝑡 𝑤𝑎𝑠 ℎ𝑖𝑑𝑑𝑒𝑛. • • Wong Kar-wai's directorial debut. (en Hong Kong) https://www.instagram.com/p/CPOKqLrFBjC/?utm_medium=tumblr

𝑪𝒊𝒏𝒆𝒎𝒂𝒕𝒊𝒄 𝒑𝒂𝒓𝒂𝒍𝒍𝒆𝒍𝒔: 𝑆𝑢𝑚𝑚𝑒𝑟 𝑤𝑖𝑡ℎ 𝑀𝑜𝑛𝑖𝑘𝑎 (1953), 𝑑𝑖𝑟. 𝐼𝑛𝑔𝑚𝑎𝑟 𝐵𝑒𝑟𝑔𝑚𝑎𝑛 // 𝑃𝑖𝑒𝑟𝑟𝑜𝑡 𝑙𝑒 𝐹𝑜𝑢 (1965), 𝑑𝑖𝑟. 𝐽𝑒𝑎𝑛-𝐿𝑢𝑐 𝐺𝑜𝑑𝑎𝑟𝑑 // 𝑀𝑜𝑜𝑛𝑟𝑖𝑠𝑒 𝐾𝑖𝑛𝑔𝑑𝑜𝑚 (2012), 𝑑𝑖𝑟. 𝑊𝑒𝑠 𝐴𝑛𝑑𝑒𝑟𝑠𝑜𝑛 https://www.instagram.com/p/CIlat9NFmsd/?igshid=1vxacw923vcrh

𝐏𝐚𝐥𝐦 𝐒𝐩𝐫𝐢𝐧𝐠𝐬 (𝟐𝟎𝟐𝟎), 𝐝𝐢𝐫. 𝐌𝐚𝐱 𝐁𝐚𝐫𝐛𝐚𝐤𝐨𝐰 • • — 𝑌𝑜𝑢 𝑗𝑢𝑠𝑡 ℎ𝑎𝑣𝑒 𝑡𝑜 𝑒𝑚𝑏𝑟𝑎𝑐𝑒 𝑡ℎ𝑒 𝑓𝑎𝑐𝑡 𝑡ℎ𝑎𝑡 𝑛𝑜𝑡ℎ𝑖𝑛𝑔 𝑚𝑎𝑡𝑡𝑒𝑟𝑠. • • Palm Springs writer said that Andy Samberg's character was trapped in the time loop for over 40 years. (en Palm Springs, California) https://www.instagram.com/p/CK1n_F5F6hP/?igshid=18um2aw36i55y