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Help make the words go
Wake and Glare (horror fantasy trauma monsters on the ocean)
Beliegered (knight x monster king horror romance)
Here there be witches (fairytale horror)
A Walk (lonely vampire horror)
I'll work on them all eventually, this is my 'finish this year' list, but my brain is an egg frying in a pan set far too high.
So I could use some direction before things get scrambled.

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I don't go out of my way to write about specific people, I write who yells at me and who fits the story demanding to be told.
Because of that I've not written many trans characters. I have a few on the sidelines in things, who told me in fun ways and I had to go with it, but none front and center.
None have yelled at me... yet.
There is a very good chance the vampire horror standalone novel thing will end up being the one that yells at me. My brain keeps mixing pronouns when writing and they keep changing certain details. It's why I'm stuck. I don't know who they are and they don't either. I know they're ace, this has been thoroughly determined through certain lines, and a plot-point they screamed at me about until I removed it, but the gender is confused and I don't think nonbinary is the reason this time.
All I know is whatever they're transitioning to, they haven't yet. They are in the process of and it is why they are alone when attacked. Their neighbors love them, they're in a good enough place mentally, but family and many of their friends abandoned them.
So there's that and also the dysphoria of not being what they want yet.
I've had dysphoria but it wasn't gender related... exactly. I have an unhealthy relationship with my body in general and grew up in a confusing household where traditional gender roles were reversed and yet enforced and in opposing and irrational ways. I've never quite understood gender because of it.
Helpful in the writing here but missing important nuance.
That's a big one to figure out as this character won't be able to change their body in any meaningful way because vampire. Anything they were taking to transition won't work anymore, any surgeries done after would revert immediately. So they'll be stuck in a not-quite-there state, looking by all accounts androgynous for how smoothed in some cases and exaggerated in others certain features become for them.
But they can manipulate perception.
Raising the question, would the perception of others aid in changing your own? If you could make the world see you the way you wanted to be, would it be enough or do you have to see it too?
And what about being a monstrously beautiful thing that people either fear or love would change that?
Guy de Maupassant A Walk. In "A Walk," Maupassant, a master of the short story, delivers a piercingly realistic portrait of Monsieur Lera, a bookkeeper whose entire life has been defined by the four walls of his gloomy office. For forty years, his existence has been a model of monotonous routine, devoid of love, family, or joy. Everything changes one spring evening when, on a rare impulse, he takes a walk through the Bois de Boulogne. Surrounded by the vibrant life of Paris—the carriages of lovers, the warm air, the bustling crowds—he is suddenly confronted with the profound emptiness of his own life. This single, fateful stroll leads to a shocking and poignant conclusion that will stay with you long after the story ends.