My OTHER Favorite SAVE FERRIS song!
This is my favorite version of this song, âFor Youâ by SAVE FERRIS! WoOoOoOooOo!!! And yes this version is from the âMeet The Deedlesâ soundtrack... Youâre Welcome.đ
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seen from Canada
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seen from United States
seen from United States
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seen from Malaysia
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seen from United States
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seen from United States
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seen from China

seen from Jordan
seen from Malaysia
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My OTHER Favorite SAVE FERRIS song!
This is my favorite version of this song, âFor Youâ by SAVE FERRIS! WoOoOoOooOo!!! And yes this version is from the âMeet The Deedlesâ soundtrack... Youâre Welcome.đ
đđđ

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What Ska Means & Why It Matters
âWhat Ska Means & Why It Mattersâ (A Film Review) by Adam WÄkarski
I recently went to check out a brand new documentary called âPick It Up! Ska in The â90sâ at the local Enzian Theater (literally the only showing I think I saw in the central Florida area). For anyone who was alive in America in the 1990s - you may or may not be familiar with the incredibly energetic and upbeat explosion of Ska music in the 1990s. The âThird Wave of Skaâ had officially arrived in the U.S.A. thanks to a lot of younger people having grown up listening to all of the previous (and totally awesome) acts of the second wave of Ska (up in the U.K.) and of course the original wave of Ska in Jamaica back in the 1960s (and then forming their own bands with the â90s vibe and flavor of the time).
This documentary goes well into detail over many aspects of the first & second waves of ska (aptly narrated by Tim Armstrong of Operation Ivy & Rancid notoriety). For anyone who loves (or has loved) Ska music - this documentary is for you! I speak as someone who very happily (and very thankfully) had got to experience the Ska movement of the â90s (which absolutely without-a-doubt helped shape me into the person I have become today), and without the third wave of Ska music I wouldnât be playing music. Having said that, it must be mentioned that this documentary is a smorgasbord of all of the big players in the Ska scene (throughout all generations of ska) and is a real reward for any devoted lovers of Ska music.
This documentary has a very informative take on Ska music (which honors the style of music) and a wonderfully-animated historical story or two of Jamaican Rude Boys crashing Ska shows in the â60s and English Skinheads in the â80s adopting Jamaican attitude through style and expression (in addition to a ton of other stories from first-hand accounts). The documentary also has the best sense of humor exuded through every person on screen who gets that Ska music is kind of a butt-of-a-joke to a lot of people who listen to other styles of music. The unfortunate reality is that Ska did have a rise and a fall in the mainstream due to the eventual lack of interest and appeal (and in my own humble opinion: especially after â9/11â - after that happened, everyone got really angry & miserable and the music industry bought into that and kept feeding that negativity).
When Ska was at itâs height in the â90s, it was indeed everywhere and everyone had at least heard a Ska band on the radio or had known what Ska music was (due to the rising popularity of the genre). I truly enjoy how the documentary does show all of the people who made the Ska scene happen in the â90s, and who brought SO MUCH INFLUENCE to people like me (I was also TOTALLY in my band program in school and felt like Ska music gave people like me a CHANCE - Band Kids Unite! Hahaha). It was truly refreshing seeing a ton of photos and video footage of all of those bands, and then having everyone pretty much âsit around the campfireâ so-to-speak to talk about how their experiences were being a part of that movement in music. The positive atmosphere cultivated due to the most energetic and dance-friendly (and jump friendly) bands with the raddest shows had never really happened in such a manner before (with exception of The Specials and The English Beat and the like during the second wave) - at least certainly not in USA.
The somewhat bizarre and unorthodox nature of the musical instrumentation of Ska bands even gets discussed in this totally excellent documentary. All of the borderline awkwardness of Ska music and how itâs basically the ultimate party music (while at the same time being a party for dorky, dweeby, unwanted, unnoticed group of people who really love to have a good time despite going through ups and downs in life just like everybody else). I think that itâs also very commendable that YES Ska music has values and convictions (i.e. Ska Against Racism), and something I always noticed and appreciated was how so many Ska bands had a variety and DIVERSITY of people on stage. Youâll see all people come together unlike any other style of music - and itâs all good - thereâs no isolation or hatred when the party is on - people in the ska scene âhave arrivedâ in terms of understanding one another. This is a genre for the enlightened.
Ska music is the one place where you can find unity & fun and a lot of people with really awesome styles or outlooks. The genre itself is full of a unique variety of bands and people who have been around for a long time and typically know a great deal of the inâs and outâs of Ska. ALL of the AWESOME bands of the Ska scene are featured in this documentary: Operation Ivy, Sublime, The Mighty Mighty Bosstones, Reel Big Fish, Save Ferris, The Aquabats!, Less Than Jake, No Doubt, Chris Murray, Hepcat, The Slackers, Skankinâ Pickle, Rx Bandits, The Hippos, Buck-O-Nine, Mad Caddies, Voodoo Glow Skulls, Five Iron Frenzy, Dance Hall Crashers, Rancid, Goldfinger, Mustard Plug, The Suicide Machines, Big D and The Kids Table, The Pietasters, Mephiskapheles, The Toasters, Spring Heeled Jack, Fishbone, The Selecter, The Wailers, The Skatalites, Madness, The Specials, Oingo Boingo, Pilfers, Bim Skala Bim, Kemuri, Tokyo Ska Paradise Orchestra, Catch 22, Streetlight Manifesto, Bomb The Music Industry! (and plenty more! - Seriously).
Watching âPick It Up!â truly brings out the overall sense of a person who listens to Ska (as well as dabbles a bit with a hilarious remote done with Scott Klopfenstein asking people on the street if they know Ska music - SO Funny!). This documentary has an undying sense of humor (and sense of heart) throughout telling the entire story of Ska in the â90s - especially when learning about how these people were working day-jobs prior to their break-out in their respective bands. It was fascinating watching that human story behind the show and understanding a bit better the effort that was put in behind the scenes while these bands were getting rejection letters from record labels that didnât believe in their sound (despite the success of those of whom had kept going strong through the years to keep the Ska sound alive & well).
âPick It Up! Ska in The â90sâ does go over a lot, and pretty much covers all you need to know to become a true Ska scene aficionado (if you havenât lived like all of us who have been to a sh!t ton of Ska shows since way back when).
There are, however, a few things that I did notice werenât necessarily covered: 1) The term âSkaâ originates from the sound of the guitar having that upstroke âscratchâ sound on the âoff-beatâ in a measure of music (as opposed to the downbeat) - hence, âuhn-ska, uhn-skaâ which did indeed originate in Jamaica in the 1960s. 2) Ska music is correctly described as âfast reggaeâ, and âThe Godfather of Reggaeâ - but it must be mentioned that the reason why Reggae birthed from Ska music is due to the Jamaican weather of the late â60s. As itâs said, there was an overwhelming heat wave in Kingston, Jamaica during âThe Orange Street Soundâ around â68-â69 which wore down the dance halls so they would begin jamming a bit slower and a bit easier and smoother - thus the Reggae boom in the 1970s. 3) The real reason why the Ska scene dissipated and eventually dissolved (as far as âmainstreamâ styles go) was primarily due to big business getting involved and trying to make all of the Ska (and Ska/Punk) bands basically become the same carbon-copy acts that were already âindustry standardsâ or âsuccessful actsâ.Â
So, there were Ska bands that did drop their horns (which was lightly gone over in the documentary) due to either economy, or not wanting to sound like Ska anymore, or just simply transforming their sound. There were some bands that completely sold out - and then there are other bands that stayed true and have kept Ska music and the dance scene FUN & AWESOME this entire time and never gave up in the true power of music and the possibilities that come with creativity, fun, and optimism through adversity (coughcoughREELBIGFISHcoughcough).
Aside from all of the fun facts, familiar faces, and excellent music throughout the entire documentary - there is a moment when the documentary goes into the heart & soul of the sound of Ska music and how it provided such an important & positive outlet and release for people (of all types) who would simply put on a good Ska band or album or song to replace any sense or feeling of sadness, frustration, anger, loneliness, or problems and by the end of the experience can have a form of newfound happiness or refreshed outlook. There was actually a moment when viewing the documentary (at least in my own humble opinion) where I could completely and whole-heartedly relate to the underlying message of Ska bands and Ska Music and what it means to people now who experienced it (and still push for the scene to thrive to this very day).
I still believe it can literally save lives. Ska music saved my life and I know that if it wasnât for all of the people who have been working hard through the years to perform their hearts out - I wouldnât have worked so hard in my own life to keep fighting for my dreams, and, in a greater picture - keep working towards more unity, fun, and good times in the world around me - because thatâs what Ska is really about at the end of the day. I never thought Ska was a joke (despite how humorous the style can be) - I always knew Ska was a really big deal and itâs still the best style of music (in my own opinion) and I still think the music industry has failed music-lovers and music-listeners by not developing more of an open mind to Ska music (which is the only style of music that can use all styles of music to express itself amidst the traditional formula of the genre). Itâs literally the most interesting music to experience (melodically, lyrically, rhythmically).
Despite the reality of Ska music and the judgmental stigma towards the genre - there are still a ton of people in the world who believe in having Ska music and Ska bands and Ska shows. Thereâs a reason why people love Ska music and there is a totally awesome reason why Ska will never die - because itâs THE MOST FUN STYLE OF MUSIC EVER! I have always been proud and fearless with my admiration for Ska music and Ska bands and people who still believe in having a really good time and sweatinâ our asses off dancinâ at shows and singinâ along to the party. There is no other style of music like it - itâs completely unique & completely awesome. Itâs not for everybody, and thatâs all good because the people that âget itâ will always sing along and dance their hearts out - I know I will!
I give âPick It Up! Ska in The â90sâ a Perfect 10 out of 10. It is the best music documentary I have seen. This documentary does for the â90s what âAmerican Hardcoreâ did for the â80s.Â
This is the Perfect Documentary for any fan of Ska.
â...Take me back to my happy land, take me back to my happy land, take me back to my happy land, take me back to my happy land...â ~The Aquabats!
Save Ferris
âThe World is Newâ
One of the best Ska bands out there! I always thought Monique Powell was âSO MUCH COOLER THAN GWEN STEFANIâ hahahhaa.... I guess thereâs no point in drawing up comparisons. Itâs awesome to know the Ska scene can have such cool female frontwomen that create such an impact (Wow what a voice)! Definitely a band that can bring the party!
âSell Outâ by REEL BIG FISH!
Still one of the most defining songs of the Ska scene (to this day)! This song (and album) is still SO TOTALLY AWESOME and one of my all-time favorites! Still one of the best bands ever!
THE AQUABATS!
âSUPER RAD!â
YES YES YES YES YES!Â

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âThe Impression That I Getâ by The Mighty Mighty Bosstones
A now classic song - this is one of (if not THE main) song that broke out Ska into the mainstream music scene. Thank you to The Mighty Mighty Bosstones for making me super sick of this song from over saturation  and then falling back in love with it all over again! Canât deny a good tune!
âSame in the Endâ by Sublime
Such an amazing band! R.I.P. Bradley & Lou Dog!
âShe Has a Girlfriend Nowâ by Reel Big Fish
YES Reel Big Fish is still one of my all-time favorite bands, and YES I still LOVE SKA music and YES if it wasnât for Reel Big Fish I would have never thought about starting a band and YES I still think that 1997/98 line-up was the best line-up they ever had (no offense to the other people who were in the band who have raw talent).
Aaron Barrett is still one of the best guitar players I have ever heard, and I always thought he deserved more recognition for his musicianship (and overall ability considering the dude started out as a Trombone player/YEAH LOW BRASS ALL THE WAY).
Such an Awesome band - one of my favorites I had ever seen live - and Iâm still thankful that the first show I went to was Reel Big Fish in 1998 - huminahuminahumina. Fond memories of meeting them and talking about Planet of The Apes with Scott & Dan, and meeting Aaron Barrett (who still rocks to this day). So Awesome.