No one commanded a stage in the late 80s and early 90s quite like Axl Rose. This shot perfectly captures his raw energy, powerful vocals, and that unforgettable rock star style with the leather jacket and signature pants.

This vintage interview from a German magazine gives us a fascinating look into Izzy Stradlin’s mind right after leaving Guns N' Roses. He opened up about needing a complete break to clear his head, even leaving his guitar packed away for the first month while traveling across the US.

This is a rare behind-the-scenes look from 1994 when Izzy Stradlin was in Buenos Aires, Argentina. He was working on new music with his band, the Ju Ju Hounds, and invited the famous Argentine ska-reggae band, Los Pericos, to join him in the recording studio.

🔥 Rage Against the Machine wasn’t just a band… they were a warning. Their music sounded like rebellion, protest, and pure anger turned into sound. But why did their message hit so hard across generations? 🎸 This episode dives into the story, politics, controversy, and legacy behind one of the most explosive bands in rock history. 🎧 Full episode available in the link description. Listen until the end.

The New York songwriter leans into classic pop rock forms, balancing melodic directness with thoughtful restraint.

Steve Savona returns with “Forgive,” a pop rock single that draws from a clear 90s lineage without sounding stuck in the past. Working as a solo artist, Steve approaches the song with the mindset of a songwriter first, keeping the arrangement focused and letting the structure do the work. The result feels intentional and grounded, shaped by craft rather than excess.

“Forgive” is built on a tight interplay between acoustic and electric rhythm guitar. The acoustic brings brightness and definition, while the electric adds weight and a controlled sense of saturation. Together, they create a steady foundation that pushes the song forward without crowding the mix. The production avoids unnecessary ornamentation, allowing the song’s core elements to remain clear and effective.

Steve’s vocals sit at the center, supported by layered harmonies that shift in intensity as the track unfolds. These layers are used sparingly and with purpose, reinforcing key moments rather than competing for attention. The melody stays accessible, but there is enough variation to keep the song engaging across its runtime. The bridge is really interesting as well, with a change of chords that’s quite unexpected, shifting the melodic mood of the track before diving back into its melodic core and a soaring guitar solo. Fans of Tom Petty, The Replacements, R.E.M., or Francis Moon will recognize the emphasis on strong rhythm work and melodic storytelling. “Forgive” does not aim to reinvent the genre, but instead refines familiar ideas into something personal and direct.