Here's my two poems of Brian, I also shared these on my 2nd blog: @brianjonesera60srollingstones ππππ«ΆπΎ I put my credits down so you'll know everything's coming from me
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Here's my two poems of Brian, I also shared these on my 2nd blog: @brianjonesera60srollingstones ππππ«ΆπΎ I put my credits down so you'll know everything's coming from me
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch β’ No registration required β’ HD streaming
god im so excited for zappa β66 TTG studios. first song released and you know its gonna be fire
Answer the phone
I'm also fortunate to have encountered these of Suki and Brian, last year π it brought to my attention that we need more! I won't let y'all down!
A present from me to you π my edit of Brian
Photo by Jim Marshall
Monterey Pop Festival
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch β’ No registration required β’ HD streaming
Happy birthday Keith!
I shared these with a whole set of photos in March.
Green Park , London
London Palladium
1967
Photos by DMR and David Magnus/ Shutterstock
Order of Silence present: Solemn Monday
A reflective pop rock return that turns grief into melody.
On βSolemn Monday,β Order of Silence pick up a thread that was left hanging for decades. Longtime collaborators Graham Perry and Brad Cole first played together in the 1980s, then reunited at the funeral of their friend and former bandmate Ernie Aguilar, deciding to finally make the record their old group never managed to capture. That sense of unfinished business runs quietly through the song.
The track leans into a classic 60s flavor. A bright acoustic guitar drives the arrangement, locked into a steady, unfussy rhythm section. Electric guitar lines dart in and out as small bursts of color, offering melodic responses rather than flashy solos. The production feels clean and intentional, foregrounding the interplay between instruments instead of sheer volume.
Vocally, Graham delivers the story with a calm, measured tone, supported by carefully stacked harmonies that lift key phrases without overwhelming them. The song reflects on loss and the strange calm that follows, where ordinary days feel heavier but life keeps moving. It is less about dramatic catharsis and more about accepting absence, honoring a shared past by finally pressing βrecord.β
A photo of Mick and Brian during a press conference in DΓΌsseldorf , 1965
Photo by Hans Lachmann
From cassandra0703 on eBay