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B)LUE VELVET (1986)
Blue Velvet is a 1986 American neo-noir mystery thriller film written and directed by David Lynch. The film takes its name after the 1951 song of the same name.
The film stars Kyle MacLachlan, Isabella Rossellini, Dennis Hopper, and Laura Dern,
Before getting into the movie, perhaps we should uncover some of the symbolism ingrinded in the film which will help us better understand the film.
Symbolism is used heavily in Blue Velvet. The most consistent symbolism in the film is an insect motif introduced at the end of the first scene, when the camera zooms in on a well-kept suburban lawn until it unearths a swarming underground nest of bugs. This is generally recognized as a metaphor for the seedy underworld that Jeffrey will soon discover under the surface of his own suburban paradise. The severed ear he finds is being overrun by black ants. The bug motif is recurrent throughout the film, most notably in the bug-like gas mask that Frank wears and Jeffrey's exterminator disguise. One of Frank's accomplices is also consistently identified through the yellow jacket he wears, possibly referencing the name of a type of wasp. Finally, a robin eating a bug on a fence becomes a topic of discussion in the last scene of the film.
The severed ear that Jeffrey discovers is also a key symbolic element, leading Jeffrey into danger. Indeed, just as Jeffrey's troubles begin, the audience is treated to a nightmarish sequence in which the camera zooms into the canal of the severed, decomposing ear. After the danger has subsided at the end the ear canal closeup is repeated, zooming out on a healthy and clean ear.
The film follows a college student who returns to his hometown and discovers a severed human ear in a field, which leads him to uncover a criminal conspiracy involving a troubled nightclub singer.
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NOTES
The screenplay of Blue Velvet had been passed around multiple times in the late 1970s and early 1980s, with several major studios declining it due to its strong sexual and violent content. After the failure of his 1984 film Dune, Lynch made attempts at developing a more "personal story", somewhat characteristic of the surrealist style displayed in his first film Eraserhead (1977). The independent studio De Laurentiis Entertainment Group, owned at the time by Italian film producer Dino De Laurentiis, agreed to finance and produce the film.
Blue Velvet initially received a divided critical response, with many stating that its explicit content served little artistic purpose. Nevertheless, the film earned Lynch his second nomination for the Academy Award for Best Director, and received the year's Best Film and Best Director prizes from the National Society of Film Critics. It came to achieve cult status. As an example of a director casting against the norm, it was credited for revitalizing Hopper's career and for providing Rossellini with a dramatic outlet beyond her previous work as a fashion model and a cosmetics spokeswoman.
In the years since, the film has been re-evaluated, and is widely regarded as one of Lynch's masterpieces and is frequently cited as one of the greatest films of the 1980s. Publications including Sight and Sound, Time, Entertainment Weekly and BBC Magazine have ranked it among the greatest American films of all time. In 2008, it was chosen by the American Film Institute as one of the ten greatest American mystery films.
BLUE VELVET (1986) Dir. David Lynch source stydixa Jan 27
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2391,film,Blue Velvet, 1986, Dir. David Lynch
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