The concept of 03 and 07 Raph meeting is so funny, becuase I know they'd just loath each other.
Like as shown by City at War, if 03 Raph ever heard about 07's Nightatcher gig, he'd be just brimming with rage. "You endangered your family's safety, For What." Just morally and emotionally speaking 07 Raph is so much like a twisted version of 03 Leo with the parts of 03 Raph he himself did his best to grow and remove, so there would be instant beef.
Meanwhile 07 Raph is defensive and duty driven, so 03's more clan centric thinking(for a lack of a better term) and default hostility would just fuel the flames so so so much. Thrown in how passive aggress 07 is vs 03's sheer heart on sleeve bluntness and it would not end well, but like in the funniest of ways.
Imagine meeting yourself, but the other you's morality and family dynamics is so different he might as well not be you
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
ā Live Streamingā Interactive Chatā Private Showsā HD Qualityā Free Actions
Free to watch ⢠No registration required ⢠HD streaming
Can you do a 2007 Raph x collage psychology student reader
After Leo leaves, Reader just moved from Florida to New York for college to become a therapist, but still keeps in touch with her family by calling every few days. She meets Raph by accident a week moving into her dorm, and after spending some time together, they eventually start dating (her roommate knows about him, but they just don't really care, lol).
Two months into the relationship, Reader gets a call from her parents that a family member she doesn't know died, and even though she doesn't really care, she still wants to be there to support them, and when Reader tells Raph about the situation he pretends to take it well but is worried she's not going to come back even though she says she will. So when she does come back a few days later, she spends the next couple days with him to make him feel better.
A/N: This ended up a bit longer than I originally intended, but I really wanted to properly set up Raph and the readerās relationship and display his insecurities regarding Leo leaving and how that affected him.
I hope you enjoy! š
Iām Not Going Anywhere (angst)
ā¤ļø 2007 Raphael/Female Reader ā¤ļø
CWs: Angst, some brief violence, blood and injury, hurt/comfort, and abandonment issues. All characters are aged-up.
The move from Florida to New York was jarring. The skyline swallows the stars, the cold air bites harder than you expected, and the city never stops buzzing. You traded palm trees and predictability for subway maps and a cramped dorm room. But although itās only been a week, it already feels more like home than Florida ever did.
You moved away for college to study psychology, finally pursuing your dream of helping people untangle the knots in their heads. You miss your family, and you had promised to call at least every couple of days. Your mom always sounds a little too cheerful, your dad distracted in the background. They mean well.
They just donāt quite understand why psychology, why New York, why now. And you try not to feel the weight of their confusion pressing behind every āweāre proud of you.ā
Then one night, on the way back from a late study group, it happens. Youāre still memorizing the streets and directions, and you end up taking a wrong turn trying to find the quickest route back to your dorm, earbuds in and your thoughts drifting. You almost donāt notice the guy in the alleyāuntil a sharp, desperate cry cuts through your music.
You yank your earbuds out. You hear heavy breathing, the scuff of shoes on asphalt, and a low, threatening voice: āJust give us the wallet, old man. And the watch. Donāt make this difficult.ā Peeking around the dumpster that marks the alleyās entrance, your blood runs cold.
Two large, brutish men have a third, much older man pinned against the brick wall. His face is pale with terror, his hands raised in surrender. Your own hands begin to tremble. This is it. The New York horror story every out-of-towner is warned about. Your first instinct, a primal scream in your gut, is to run. To turn and sprint back to the well-lit street, dial 9-1-1, and forget you ever saw anything.
The manās fearful eyes meet yours for a fleeting second over the shoulder of one of his assailants, a silent plea that roots you to the spot. The future therapist in you, the part that wants to help, wars with the terrified Florida girl who is way out of her depth. Before you can settle on a choice, itās made for you.
Thereās a metallic clang from above, like a dropped wrench on a fire escape. The two thugs look up, annoyed. āWhat the hell was that?ā one of them growls.
Someone drops from the darkness above, landing in a low crouch, clad in armor. āYou heard him,ā a voice rumbles, low and gravelly, distorted by the helmet. āDonāt make this difficult.ā
The thugs are momentarily stunned. Then one of them scoffs, pulling out a knife. āAnd who are you supposed to be? Some kinda bargain-bin Batman?ā
The armored figure doesnāt answer with words; he moves. An elbow connects with the first thugās jaw with a sickening crack. A metal-gauntleted fist slams into the second oneās stomach, doubling him over with a gasp. In less than ten seconds, both men are groaning on the ground, disarmed and incapacitated, the fight over before it truly began.
The armored vigilante turns to the old man, who is staring, slack-jawed. āGo. Get out of here.ā The command is rough, impatient. The old man doesnāt need to be told twice. He scrambles away, disappearing into the night.
Then, the helmeted head turns to you.
Youāre still frozen at the alleyās edge, your bag held to your chest like a shield. The heavy helmet tilts down, and you feel the weight of an unseen gaze sweep over you, assessing. You see your own wide-eyed, terrified reflection warped in the visor. For a heart-stopping moment, you think heās going to come for you next, another loose end to be dealt with.
āYou shouldnāt be here,ā the voice rumbles. Itās not a question; itās a statement of fact, laced with annoyance.
Your brain, which had shut down completely, reboots with a jolt. āI ⦠I took a wrong turn,ā you stammer, the words barely a whisper. Your knuckles are white where youāre clutching your bag strap.
He takes a half-step towards you, and you flinch, pressing yourself back against the grimy brick of the building behind you. āGo home,ā he grunts, gesturing dismissively towards the street. āAnd forget you saw anything.ā
He grabs the bottom rung of a fire escape ladder, preparing to haul himself up. Heās leaving. Just like that. The encounter is over. All you have to do is turn around and walk away. Go back to your dorm, lock the door, and pretend this was a nightmare brought on by too much caffeine and stress.
But you donāt move.
āWait,ā you call out, your voice steadier than you expect.
He freezes, one boot on the first rung of the ladder. He doesnāt turn around, but you can feel his entire body tense.
āYouāre hurt,ā you add, your observational skills kicking in despite the shock. You can see a wound on his arm, something that must have happened in the brief scuffle.
āIām fine,ā he bites out, the words clipped.
āItās bleeding,ā you insist, taking a cautious step forward. You point toward the gash on his bicep, where blood is slowly seeping through a tear in the fabric under his armor. āYou canāt just leave that. Itāll get infected.ā
He takes a step down from the ladder, and then another, until heās standing in the alley again, looming over you. āWhat part of āgo homeā did you not understand? Are you deaf, or just stupid?ā
The insult stings, a sharp jab to your already frayed nerves, but you force yourself to stand your ground. You meet the visor of his helmet, refusing to be cowed. āNeither,ā you say, your voice remarkably even. You hold up your hands in a placating gesture, letting your bag slide down one arm. āIām a student. I ⦠I have a first-aid kit in my bag. For emergencies. Itāll take two minutes.ā
You watch as the helmet tilts down to look at the gash on his bicep, then back up at you. Through the distorted reflection, you can just make out the hard set of your own jaw. Heās weighing his options: the risk of infection versus the risk of trusting a complete stranger.
Finally, he lets out a sound thatās halfway between a sigh and a growl. āFine,ā he rasps. He points a finger upward, toward the roof. āUp there where no one can see us.ā
You nod, your heart hammering against your ribs, not with fear anymore, but with a strange, jittery adrenaline. He turns and begins to climb the fire escape with a fluid, powerful grace, even with his injury. He moves with a silence that seems impossible for someone his size, his armored boots making only the softest of metallic sounds on the rungs.
You follow. Your hands are slick with nervous sweat as you grip the cold metal. The climb feels treacherous, your bag bumping awkwardly against your back. You donāt look down. You focus only on the rung in front of you and the broad, armored back of the strange vigilante above you.
When you finally heave yourself over the ledge onto the flat, gravel-strewn roof, you pause, hands on your knees as you catch your breath. Heās already standing by a low ventilation unit, his back to the sprawling cityscape. He watches you, his posture rigid. The helmet is still on, hiding everything.
āWell?ā he prompts impatiently. āYou wanted to play doctor. Get on with it.ā
You slide your bag off your shoulders and kneel on the gritty rooftop, unzipping it with trembling fingers. You pull out the small, red nylon case of your first-aid kit. Your hands are shaking as you open it, revealing antiseptic wipes, gauze pads, and rolls of tape.
āYouāre going to have to take that part of the armor off,ā you state, looking at the pauldron covering his bicep. āAnd youāll have to take off the helmet ifāā
āNo,ā the voice rumbles, the single word sharp and final, cutting through the quiet. He takes a step back, putting distance between you. āThe helmet stays on.ā
You bite your lip, feeling a fresh wave of trepidation; youāve pushed too far. But your logic, the student-in-training part of you, wonāt let it go. āWhat if you have a head injury, andāā
āI donāt have a head injury,ā he snaps, gesturing to his bleeding arm. āThe problemās here. Now are you gonna help or are you just gonna stand there making stupid demands?ā
The insult lands, but itās laced with something else. Like a frantic, cornered energy. Heās not just being difficult; heās scared.
You donāt know of what.
āOkay,ā you concede softly. āThe helmet stays on. But the pauldron has to come off. I canāt get to the wound otherwise.ā
He hesitates for another long moment. Then, with a grunt of resignation, he reaches up with his good hand. Thereās a series of soft clicks and snaps as he unfastens the piece of armor covering his bicep, pulling it free before dropping it. He then works at the torn sleeve of the garment underneath, ripping it further to expose the gash properly.
And you stop breathing.
Your brain simply cannot process what youāre seeing. Under the dim glow of the distant city lights, the skin of his arm is not any of the tones you were expecting: itās green.
For a second, you think itās a full-body suit, some kind of advanced costume. But you see the texture of the skin itself, which has a smooth, almost leathery quality, with faint, subtle patterns like a reptile. And heās massive, his bicep thick with a dense, powerful muscle unlike any youāve ever seen on a human.
He notices your hesitation, your frozen posture. āWhat?ā he growls, his voice low. āGonna run screaming now?ā
His question snaps you out of your stupor. Heās waiting for you to recoil, to confirm whatever fears he has about being seen. The part of you that wants to helpāthe part that is your entire reason for being in this cityāoverrides the part that is struggling with reality.
āNo,ā you say, your voice a little shaky. You clear your throat and force yourself to move. āNo, Iām not.ā You reach into your kit and pull out an antiseptic wipe. Your fingers tremble as you tear the packet open. āThis is probably going to sting.ā
He just grunts in response, watching your every move.
You take a deep breath to steady your hands and gently press the wipe to the edges of the cut. He flinches, a sharp intake of breath, but he doesnāt pull away. You work with a focused silence, cleaning the wound as best you can.
āWhy?ā he asks suddenly.
You pause, looking up at the helmet. āWhy what?ā
āWhy are you doing this? You donāt even know me.ā
You grab a sterile gauze pad and press it firmly against the gash to staunch the bleeding. āYou saved that man. You got hurt doing it. Seems like a fair trade.ā
Heās silent for a long time as you work, taping the gauze into place. Your hands are steady now, your purpose clear. When youāre done, you gently pat the bandage.
āThere,ā you say. āYou should get that looked at by an actual doctor, but itās clean and covered for now.ā
He looks down at his bandaged arm. He seems ⦠surprised. As if he didnāt actually expect you to go through with it.
āWhatās your name?ā you ask, the question popping out before you can stop it.
He tenses again. āWhy?ā
āBecause I canāt keep calling you āthe armored vigilanteā in my head forever,ā you say, trying to lighten the mood.
A strange sound comes from the helmet; you take a second to identify it as a rough, choked-off chuckle. āRaph,ā he says.
You offer a small smile and tell him your name.
āRight,ā Raph says, standing up abruptly. He picks up his discarded pauldron, looking at it for a moment before deciding to just carry it. āRemember, you never saw me. Donāt come looking for trouble.ā
He turns and stalks to the edge of the roof without a backward glance. With the same impossible grace as before, he swings over the side and disappears down the fire escape, his movements swift and silent.
Youāre left alone on the roof, the cool night air raising goosebumps on your arms. Your mind is a whirlwind of green skin, a gravelly voice, and a single, reluctantly given name. You look down at your hands. A small smear of drying blood is on one of your fingers. His bloodāthe only proof that any of this was real.
After cleaning your hands, you slowly pack up your first-aid kit, moving on autopilot. Then you tuck it carefully into your bag before making your own, much slower, descent back to the world you thought you knew.
The memory of that night replays in your mind for days. You do your coursework; you attend lectures on behavioral theory; you text your family that yes, youāre eating enough vegetables. But a part of your brain is always on that rooftop.
A week later, you climb the fire escape again. Itās a foolish impulse, one that the logical part of your brain screams against. He told you to stay away. But the therapist-in-training part, the part that saw a flicker of profound loneliness behind that helmet, is stronger.
Your heart beats a nervous drum against your ribs as you reach the roofābut you find it empty. You sit for a while, watching the traffic as you work on some essays or read, and then you go home. You do this for three nights.
On the fourth, heās there.
Heās not in his armor, just dark pants and a hoodie, the hood pulled low. Heās leaning against the same ventilation unit. As you approach, he doesnāt turn, but you know he heard you.
āThought I told you to forget you saw anything,ā he rumbles.
āYou also told me your name,ā you counter softly, stopping a respectful distance away. āKind of a mixed message.ā
Heās silent for a long moment. Then he turns his head just enough for you to see the strong line of his jaw in the shadows. āYouāre stubborn.ā
āIām told itās one of my defining traits,ā you reply, a small smile touching your lips.
And thatās how it begins.
You meet on that rooftop, maybe once or twice a week. The conversations are stilted at first. You talk about your classes, the culture shock of moving from Florida, the pressure you feel from your family. He listens, though he rarely talks about himself.
About a month into your strange rooftop rendezvous, he finally trusts you enough. Youāre talking about a frustrating professor when he reaches up and pulls his hood back. Youād prepared yourself, but itās still a shock. His skin is green, his head bald and reptilian, his eyes a startlingly intense amber. You even see the peek of a plastron andāis that a shell?!
Heās a turtle. A giant humanoid turtle!
Heās waiting for you to scream, to run, to do anything but what you doāwhich is meeting his gaze and giving him a small, genuine smile. āHi, Raph,ā you say, as if itās the most normal thing in the world.
The tension drains out of his shoulders in a visible wave. He gives a short, disbelieving huff of air through his nostrils. From that night on, the hood and armor stay off when youāre together.
Your late-night disappearances donāt go unnoticed. Your roommate, Chloe, a born-and-bred New Yorker with zero patience for nonsense, corners you one evening as youāre trying to sneak out.
āAlright, spill,ā she says, leaning against the doorframe, arms crossed. āYouāre not in a cult, are you? Because my momās cousin joined a cult and the first sign was him sneaking out at all hours to ācommune with the moon goddessā in Central Park. So if youāre doing that, just tell me.ā
You laugh, the sound a little shaky. āNo, definitely not communing with any goddesses.ā You hesitate, chewing on your lower lip. Youāve kept this part of your life entirely separate, a secret world on the rooftops. But Chloe is your friend, and the lying is getting exhausting. āLook,ā you sigh, running a hand through your hair. āItās a guy. But itās ⦠complicated.ā
āComplicated how?ā she asks, her gaze sharpening. āIs he married? In a gang? Both?ā
āNo! God, no.ā You lean against the wall, trying to find the words. āHeās just really shy. And he prefers ⦠nighttime.ā
As if summoned by your words, a soft, distinct tap-tap-tap sounds on your dorm room window. Chloeās eyes widen and she swivels her head towards the sound. You close your eyes, a groan escaping your lips. Of course.
She stalks over to the window, yanking back the curtain. On the fire escape, illuminated by the glow of a nearby streetlamp, is Raph. Heās in his hoodie, but thereās no hiding the massive, three-fingered hand resting on the windowpane, or the sheer bulk of his frame. He sees Chloe, his eyes going wide, and he immediately pulls back, ready to bolt.
You rush to the window, sliding it open a crack. āRaph, itās okay! Itās okay, this is Chloe. My roommate.ā
She just stares. She takes in the green skin, the edge of the shell visible under his hoodie, the general impossibility of him. Her expression is utterly blank. You brace yourself for the screaming, the fainting.
Instead, she lets the curtain fall, turns back to you, and crosses her arms again. Sheās silent for a long, drawn-out moment. Then, she asks, in a perfectly level tone, āSo, is he why weāre suddenly out of frozen pizzas?ā
The sheer, anticlimactic normalcy of the question sends a wave of hysterical relief through you. āUm. Yes?ā
She nods once, as if this explains everything. āFine. Whatever. Just tell your giant turtle boyfriend to use the front door from now on.ā She uncrosses her arms and walks back to her desk, picking up her textbook as if nothing has happened.
And just like that, the biggest secret of your life is out, met not with panic but the resigned sigh of a city girl whoās apparently seen too much to be fazed by mutant reptiles.
New York, you decide, is even weirder than you thought.
You glance back out the window, where Raph still lingers on the fire escape, clearly caught between fight, flight, and full-on identity crisis. āYou good?ā you whisper.
His eyes flick between you and the curtain Chloe just dropped, and he mutters, āDidnāt think Iād be meetinā your roommate like that.ā
You stifle a laugh. āYeah, well, sheās more chill than she looks.ā
āShe just called me your boyfriend,ā he says, and thereās something new in his voiceāhalf teasing, half stunned. His gaze locks with yours, and for a second, all the noise of the city fades.
Your stomach does a little flip. The way he says boyfriend, like itās foreign on his tongue, like he doesnāt quite know if heās joking or serious, makes your heart thud hard against your ribs.
You meet his gaze, searching his expression. āWell,ā you murmur, āyou do keep showing up at my window like a lovesick raccoon.ā
That gets a low chuckle out of him, gravelly and amused. āIām way cooler than a raccoon.ā
āDebatable,ā you say, smiling now. āYou eat all my food, lurk in the dark, and have mysterious night habits. Sounds pretty raccoon to me.ā
His head dips slightly, maybe in defeat, maybe to hide a grin. āFine. But a buff raccoon.ā
You lean on the window frame, looking at him. āA terrifying, buff raccoon who apparently gets flustered when Chloe calls him her roommateās boyfriend.ā
That earns a dramatic groan as he lifts a hand to his face. āYouāre never gonna let me live that down, are you?ā
āNot a chance.ā
That hangs in the air between you for a beat. Then Raph shifts his weight, shoulders squaring, eyes warmer now. āSo ⦠still up for a run across the rooftops?ā
You grin and reach for your jacket. āAlways.ā
Now, youāre two months into a relationship with Raph.
And over these past months, the pieces of his life have slowly slotted into place for you. Youāve met his family: Splinter, his father, calm and commanding, with a quiet strength that fills every room. Donnie, his tech-genius brother, whose mind moves at lightning speed. And Mikey, the youngest, a whirlwind of bright energy who immediately declared you his new favorite human.
And then thereās the missing piece, the ghost that haunts their home: his older brother, Leo.
Youāve learned about him in fragments, pieced together from Raphās late-night rants. Leo had left months ago for a training mission in Central America. His departure left a gaping wound in the family, a fracture in their dynamic. And for Raph, itās a wound that festers with a unique blend of resentment, grief, and a profound sense of abandonment.
Raph feels the weight of leadership now and the sting of his brotherāhis rival, the familyās rockāchoosing to leave them behind. You understand now that much of his anger is just a shield for that deep, aching hurt.
Youāre curled up on the couch in the lair, a psychology textbook open in your lap. But your attention is fixed on the old sci-fi movie playing on the TV. Raph is on the floor, his head resting against your knees, completely relaxed for once. This is your new normal, and you love it.
Then your phone buzzes on the cushion beside you. You glance at the screen; itās your mom.
āHey, Mom,ā you say, keeping your voice low as Raphās gaze flits to you.
Her voice on the other end is strained, artificially bright in that way she gets when sheās delivering bad news. āHi, sweetheart. So, um, Iām calling because ⦠well, your Great-Aunt Carol passed away last night.ā
You blink. Great-Aunt Carol? You vaguely remember a stooped, stern-faced woman from a family reunion when you were six, one who smelled like mothballs and gave you a piece of hard candy that tasted like soap. You havenāt seen or thought of her since.
āOh,ā you say, unsure of what else to offer. āIām sorry to hear that.ā
āThe funeral is on Friday,ā your mom continues, her voice cracking slightly. āI know itās a long way, honey, and with your studies ⦠but your father and I would really love it if you could be here. For support.ā
You donāt care about the funeral, not really. But you hear the wobble in your momās voice, the plea behind the words. She wants her daughter. āOf course, Mom,ā you say without hesitation. āIāll book a flight. Iāll be there.ā
After you hang up, Raph pushes himself up into a sitting position, turning to face you. His relaxed posture is gone, replaced by a subtle tension in his shoulders. āEverything okay?ā
You close your textbook and set it aside. āA great-aunt of mine died. The funeralās in a few days back in Florida. My parents want me to come home.ā
āOh,ā he says, the word flat. āRight. Familyās important. You should go.ā
His response is perfect. Itās exactly what a supportive boyfriend should say. But youāre fluent in Raph, and you see the flicker of something else in his eyes. Itās the same look whenever the conversation turns to Leo.
āIāll only be gone for a few days,ā you say, reaching out to touch his arm. āJust for the weekend, really. Iāll be back Sunday night.ā
āYeah, I know,ā he grunts, not quite meeting your eyes. He stands up, a sudden, restless energy about him. āItās fine. Go. Do your thing.ā He turns away from you and pretends to be interested in a rack of weapons against the wall.
You know heās not fineābecause you know that āleavingā is a loaded word with him. You get up and walk over to him, wrapping your arms around his neck from behind and pressing your cheek against his shell. āRaph,ā you say softly. āI promise Iām coming back.ā
He lets out a shaky breath, placing one of his hands over yours. āI know,ā he says again, his voice a low rumble. But he doesnāt sound convinced; he sounds like a little boy trying to be brave.
The next few days are a blur of travel and stilted social obligations.
The funeral is as awkward as you imagined. You stand beside your grieving parents, holding their hands, offering tissues, and accepting condolences from relatives whose names you canāt remember for a woman you barely knew. You feel like an actor in a play you havenāt rehearsed.
You text Raph sporadically. āLanded safely.ā āFuneral was today.ā āHow are you?ā
He gives clipped, monosyllabic replies. āGood.ā āK.ā āFine.ā
Itās like talking to a brick wall, and it makes your heart ache. Heās closing himself off, retreating behind his anger because itās safer than admitting heās scared.
On Sunday evening, true to your word, youāre back in New York. The cab ride from the airport feels impossibly long. You donāt even bother going back to your dorm. You pay the driver and head straight for the lair.
You slip inside, your overnight bag still slung over your shoulder. Itās quiet. The main living area is empty, save for Mikeyās scattered comic books. You find Raph in the dojo, sitting on the floor, his back to the door. Heās not meditating. Heās just ⦠sitting. The stillness from him is more worrying than any of his rages.
āI told you Iād be back,ā you say gently.
His head whips around. His eyes widen, a storm of disbelief, relief, and something incredibly vulnerable washing over his face. Heās on his feet in a second, closing the distance between you in three long strides. He doesnāt say a word, just cups your face in his hands, his thumbs tracing your cheekbones as if to confirm youāre real.
āYouāre back,ā he breathes, the words full of emotion.
āIām back,ā you confirm, leaning into his touch. āI promised, didnāt I?ā
He finally lets himself pull you against his plastron, his arms wrapping around you securely, protectively. You can feel the tension bleed out of his shoulders as he rests his head against yours. āI was worried,ā he admits, the confession a low, gravelly whisper. His eyes finally drop from yours to the floor. āStupid, I know.ā
āItās not stupid,ā you say, sliding your arms around his neck. āNot when youāve lost people before. Not when youāre still scared it could happen again.ā
His arms tighten just a little, holding you like you might still disappear if he lets go. āI kept thinking youād get down there, see how simple things used to be, and realize you donāt need all this,ā he mutters. āAll the crap that comes with beinā with me.ā
Your heart aches at the rawness in his voice. You pull back just enough to look him in the eyes. āI donāt want āeasy,ā Raph. I want you. This. All of it.ā
His expression falters, the fierce mask slipping for a moment. Thereās something wide and uncertain in his gaze, something wounded and desperate for reassurance. You cradle his jaw in your hand, thumb brushing over the curve of his cheek.
āIām not going anywhere,ā you whisper. āYou donāt scare me. This life doesnāt scare me. But the idea of not being here with you? That does.ā
He leans into your touch, eyes fluttering shut like heās savoring the words, letting them sink in deep. When he opens them again, the storm has settled a little. Still there, but quieter.
āI missed you,ā he finally says.
You smile softly. āI missed you too.ā
He steps back and grabs your bag with one hand like it weighs nothing, gesturing toward the common room. āCāmon. You look dead on your feet. Letās get you settled.ā
āIām not going to bed yet,ā you reply, following him. āYouāve been sulking for three days. I think you owe me some quality time.ā
That gets a grunt, but the corner of his mouth lifts just a little. āWhat, like a movie night?ā
āYou pick the cheesiest, most ridiculous movie you own,ā you say, āand I get to use your shoulder as a pillow.ā
āDeal,ā he says, and the word is so immediate, so relieved, that you know you made the right choice.
You donāt go back to your dorm that night.
The next morning, you wake to the distant sounds of clattering and energetic yelling from the kitchen. You find Raph already there, leaning against a counter with a mug in his hands, watching Mikey attempt to flip a pancake the size of a manhole cover. Donnie is at the table, tinkering with some gadget and pointedly ignoring the culinary chaos.
āMorning,ā Raph says, his eyes lighting up when he sees you.
Mikey, mid-flip, spots you and beams. āSheās alive! Dude, I thought you were gonna sleep forever. Want a pizza-sized pancake?ā He gestures with his spatula to the monstrosity in the pan, which looks suspiciously lumpy.
āI think Iāll stick to coffee for now,ā you say with a laugh, accepting the mug Raph offers you, and you lean against the counter next to him.
Later, you find him in the dojo, working out his remaining frustrations on a heavily worn punching bag. He moves with a brutal grace, every muscle in his powerful arms and shoulders coiled and released with explosive force. You donāt interrupt, just lean against the doorframe and watch until he finally stops, panting, his skin slick with a light sweat.
He turns, wiping his brow with the back of his hand, and finally says whatās been sitting between you. āHey. I, uh ⦠I was a jerk when you were gone.ā
You push off the frame and walk over, picking up a water bottle from a nearby bench before holding it out to him. āYou were scared,ā you counter gently. āItās okay to be scared, you know.ā
He takes the bottle, his fingers brushing yours. He avoids your gaze, looking down at the scuffed floor mats. āYeah, but I took it out on you. It wasnāt fair.ā
āNo, it wasnāt,ā you agree softly. āBut I understand why.ā You reach up and place a hand on his cheek, turning his face toward you. āSo I forgive you. On one condition.ā
A hint of a smile touches his lips. āWhatās that?ā
āYou let me win our next game of air hockey.ā
He lets out a genuine laugh. āNot a chance.ā He leans down and captures your lips. He pulls you flush against him, and you can feel the steady, reassuring beat of his heart against your own.
The next day feels lighter.
You spend the afternoon on the couch, your legs thrown over his lap as you try to explain the fundamentals of cognitive-behavioral therapy to him using his favorite movie characters as examples. By evening, you feel the last of Raphās anxious energy finally dissipate. So you tell him you have to go back to your dorm for clean clothes and textbooks.
He doesnāt retreat or tense up. āIāll come with you.ā
āYou donāt have to,ā you say, but heās already grabbing his hoodie.
āI know. I want to.ā
When you reach your dorm, you pause and look at the glittering expanse of the city out of your kitchen window. āItās weird,ā you muse. āWhen I first moved here, this all felt so big and scary. It felt ⦠lonely.ā
Raph comes to stand beside you, following your gaze out to the city lights. āAnd now?ā he asks, his voice low.
You turn your head to look at him. You think of the weight of his arm around you on the couch, the steady beat of his heart. The feel of his lips on yours. You smile and take his hand. āNow,ā you say, lacing your fingers with his, ābecause of you, it feels like home.ā
Actually scratch my last ask. Since you mentioned Donnie is your fav especially in 03 I was curious whatās your thoughts on Raph?
Hello, Anon!
Ohoho I would LOVE to talk about Raph!! Seeing how you didnāt ask for a specific version, Iāll just go through all the ones Iāve seen, and place them in order of my favorites to least favorites. :)
1. 2003 version
There are many reasons why this iteration of Raphael is my favorite. For starters, his voice actor is TOP NOTCH at his job; The gravelly, New Yorker/Jersey accent makes him stand out from a lot of the other Raphās. But with that spiteful sarcastic tone, he also is able to capture the more tender moments like the one above. When Raph is sitting with the kind old lady he accidentally befriends, or even Tyler, (the boy he helps to save the kidās mother from a gang), his scratchy, military-esque voice becomes softer, quieter, and gentler. And I LOVE IT. There are many other quirks and characteristics that I adore about him, but his heart and his voice remain at the top of the list. :)
2. 2012
This was the first ever Raphael that I saw! All the way back in 2020, *shivers from trauma* I decided to try the series for the first time. And mostly, I was not disappointed. :)
As for this version of the hothead, Iāll again go to the talent of the voice actor who plays him. Sean Astin was an incredible fit for this iteration of Raphael. He handles the passion, tough love, and sarcasm PERFECTLY. Also- just my opinion here- he has the best scream by far. 𤣠I donāt think Iāve ever laughed that hard compared to when I watched the Cockroach episode!! And that brings me to my next favorite characteristic of this version. Heās HILARIOUS. He expertly plays off a more dry, sarcastic humor, (mirroring 87ās style), and Sean once again did a marvelous job with each of his line deliveries. Last thing- I love how he grows and changes through the series. As time moves forward, he and Leo become the closest of comrades on the battle field. If you compare season 1 to season 3+ you will see a HUGE difference in how much Raphael trusts Leo to lead. Itās really cool to see that kind of growth. :)
3. 2007
Oh man- you want to talk about conflict with your brother and learning to trust his leading- I WISH this Raph got that kind of treatment in the writing of the movie. Donāt get me wrong, that battle between Raph and Leo in the rain remains to be one of the greatest fights in TMNT history in my books. But the plot was centered so much around their FIGHTING that we barely got to just see them as casual brothers⦠and that is when I REALLY decide if I like the character when I see them without their walls up with their family. So thatās why he barely lost to 2012 Raph. If there ever was a tv series based on 2007 I CERTAINLY would watch it. Hopefully then I would finally see this poor hothead who canāt figure out his feelingsā true colors behind that Nightwatcherās helmet.
4. Mutant Mayhem
(Okay- so I must specify- Iām counting the series in with the movie for this version of Raphael.)
This may just be the cutest version of Raphael. Heās the one who acts the most like a real teenager, (shocker to no one seeing how heās VOICED by an actual teen boy!), and he wears his heart on his sleeve. With this Raph, heās far moreeee energetic than angry. And I love that! When heās prepping before jumping into a fight heās just bouncing around and mumbling āIMMA GET CRAZY HEHEHEā to himself, rather than picturing every persons face before he pummels it in with his flying fists. In the series, (despite its HORRID faults), he really shows his love and care for his family after he and his brothers are separated. He fends for himself with broken ribs, (the most vulnerable heās probably ever felt), and finally makes his way back to his brothers. What does he do when he finds Leo? Does he smack him in the head, berating him for being so stupid? Nooope. He hugs him tightly with every aching muscle in his body. Awwww~ Iām both excited and terrified for the next season of the show⦠(PLEASE LET THEM MAKE THE REST OF THE SERIES CANON AND NOT MADE UP PLEASEEEE)
5. Rise
This lovable GOOF- Heheh heās so silly- I remember DYING LAUGHING watching him STRUGGLING to make his brothers fix their mistake in the Pizza Puffs episode HAHAHA!! āBut theyāre just kids~ā ā-AND YOU CAN MAKE THEM MEN!!!ā *proceeds to beat himself up* This anxiety-ridden, heart bigger than his muscles, leader heart of the team has a (once again) incredible voice actor who aces every line. The comedy in Rise is peak ANYWAYS, but this lovable panda bear just adds that lil extra spark to the hilariousness of the show. :)
6. Batman and the Teenage Mutant Ninja Turtles
Hehehe this version of Raph has delicious dark humor that rattles the innocent and entertains the streetwise. He also has a New York/jersey accent, and the voice actor who plays him is once again really good at their job. His love for his brothers isnāt quite as prevalent as in the other shows, (mostly cause this version is far more subtle and doesnāt have his heart on his sleeve), but his dynamic with each of his bros is still very much prevalent. :)
7. 1987
Itās kind of unfair because I havenāt seen all of the 87 series- But from what I have been able to scrounge from the internet, this Raphael is the most⦠vanilla. Itās the original yes, but itās also the most tame version. (A word I donāt ever classify the character of Raphael with.) I WILL say heās voiced by the legend Rob Paulsen, which certainly keeps his character charming and funny, and normally never boring. Famously known for breaking the fourth wall as a past time, this version is sarcastic, fun, and of course rude. ;)
There ya go! Thatās all the versions of Raphael that I have seen!
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
ā Live Streamingā Interactive Chatā Private Showsā HD Qualityā Free Actions
Free to watch ⢠No registration required ⢠HD streaming