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Cold Iron in folklore, fiction, and RPGs
'Gold is for the mistressâsilver for the maid! Copper for the craftsman cunning at his trade.' 'Good!' said the Baron, sitting in his hall, 'But IronâCold Ironâis master of them all!' â Rudyard Kipling, âCold Ironâ
Folklore
Drudenmesser, or "witch-knife", an apotropaic folding knife from Germany
The notion that iron (or steel) can ward against evil spirits, witches, fairies, etc is very widespread in folklore. You hang a horseshoe over your threshold to deny entry to evil spirits, you carry an iron tool with you to make sure devils won't assault you, you place a small knife under the baby's crib to ward it from witches, and so on. Iron is apotropaic in many many cultures.
In English, we often come across passages that refer to apotropaic cold iron (or cold steel). "All uncouth, unknown Wights are terrifyed by nothing earthly so much as by cold Iron", says Robert Kirk in 1691, which I believe is the earliest example. "Evil spirits cannot bear the touch of cold steel. Iron, or preferably steel, in any form is a protection", says John Gregorson Campbell in 1901.
Words
So what is cold iron? In this context, itâs just iron. The âcoldâ part is poetic, especially â but not only â if weâre talking about either blades (or swords, weapons, the force of arms) or manacles and the like. It just sounds more ominous. There are âcold yron chainesâ in The Fairie Queene (1596), and a 1638 book of travels tells us that a Georgian general (in the Caucasus) vowed âto make the Turk to eat cold ironâ.
Greenâs Dictionary of Slang defines âcold ironâ as a sword, and dates the term to 1698. From 1725 it appears in Cant dictionaries (could this sense be thievesâ cant, originally? why not, plenty of words and expressions started as underworld slang and then entered the mainstream), and from ~1750 its use becomes much more common.
NGram Viewer diagram for 1600-2019.
In other contexts, cold iron is (surprise!) iron thatâs not hot. So letâs talk a bit about metallurgy.
Metals
In nature, we can find only one kind of iron thatâs pure enough to work with: meteoritic iron. It has to literally fall from the sky. Barring that very rare occurrence, people have to mine the earth for iron ore, which is not workable as is. To separate the iron from the ore we have to smelt it, and for that we need heat, in the form of hot charcoals. Throwing the ore on the coals wonât do much of anything, itâs not hot enough. But if we enclose the coals in a little tower built of clay, leaving holes for air flow, the temperature rises enough to smelt the ore. Thatâs called a bloomery.
clay bloomery / medieval bloomery / beating the bloom to get rid of the slag
What comes out of the bloomery is a bloom: a porous, malleable mass of iron (that we need) and slag (byproducts that we donât need). But now we can get rid of the slag and turn the porous mass to something solid, by hammering the hot bloom over and over. And once the slag is off, by the same process we can give it a desired shape in the forge, reheating it as needed. This is called âworkingâ the iron, hence âwrought ironâ objects, i.e. forged.
a blacksmith in his forge, with bellows, fire, and anvil (English woodcut, 1603)
This is the lowest-tech version, possibly going back to ~2000 BCE in Nigeria. If we add bellows, the improved air flow will raise the temperature. So smelting happens faster and more efficiently in the bloomery, and so does heating the iron in the forge, making it easier to work with. And thatâs the standard process from the Iron Age all through the middle ages and beyond (although in China they may have skipped this stage and gone straight to the next one).
If we make the bloomery bigger and bigger, with stronger and stronger bellows, we end up with a blast furnace, a construction so efficient that the temperature outright melts the iron, and itâs liquified enough to be poured into a mould and acquire the desired shape when it cools off. This is âcast ironâ.
a blast furnace
So in all of this, whatâs cold iron? Well, itâs iron that went though the heat and cooled off. (No heat = no iron, all you got is ore.) If it came out of a bloomery, or if it wasnât cast, itâs by definition worked, hammered, beaten, wrought, and that happened while it was still hot.
Is there such a thing as âcold-wroughtâ iron? No. In fact, âworking cold ironâ was a simile for something foolish or pointless. A smith who beats cold iron instead of putting it in the fire shows folly, says a 1694 book on religion, so you too should choose your best tools, piety and good decorum, to educate your children and servants, instead of beating them. When Don Quixote (1605) declares heâll go knight-erranting again, Sancho Panza tries to dissuade him, but itâs like âpreaching in the desert and hammering on cold ironâ (a direct translation of martillar en hierro frĂo).
Minor work can be done on cold iron. A 1710 dictionary of technical terms tells us that a rivetting-hammer is âchiefly used for rivetting or setting straight cold iron, or for crooking of small work; but âtis seldom used at the forgeâ. Fully fashioning an object out of cold iron is not a real process â though a 1659 History of the World would claim that in Arabia itâs so hot that âsmiths work nails and horseshoes out of cold iron, softened only by the vigorous heat of the sun, and the hard hammering of hands on the anvilâ. [I declare myself unqualified to judge the veracity of this statement, let's just say I have doubts.] And there is of course such a thing as âcold wrought-ironâ, as in wrought iron after itâs cooled off.
Either way, in the context of pre-20th century English texts which refer to apotropaic âcold ironâ, itâs definitely not âcold-wroughtâ, or meteoritic, or a special alloy of any kind. Itâs just iron.
Fiction
The old superstition kept coming up in fantasy fiction. In 1910 Rudyard Kipling wrote the very influential short story âCold Ironâ (in the collection Rewards and Fairies), where he explains invents the details of the fairiesâ aversion to iron. They canât bewitch a child wearing boots, because the boots have nails in the soles. They canât pass under a doorway guarded by a horseshoe, but they can slip through the backdoor that people neglected to guard. Mortals live âon the near side of Cold Ironâ, because thereâs iron in every house, while fairies live âon the far side of Cold Ironâ, and want nothing to do with it. And changelings brought up by fairies will go back to the world of mortals as soon they touch cold iron for the first time.
In Poul Andersonâs The Broken Sword (1954), we read:
âLet me tell you, boy, that you humans, weak and short-lived and unwitting, are nonetheless more strong than elves and trolls, aye, than giants and gods. And that you can touch cold iron is only one reason.â
In Peter S. Beagleâs The Last Unicorn (1968) the unicorn is imprisoned in an iron cage:
âShe turned and turned in her prison, her body shrinking from the touch of the iron bars all around her. No creature of manâs night loves cold iron, and while the unicorn could endure its presence, the murderous smell of it seemed to turn her bones to sand and her blood to rain.â
Poul Anderson would come back to that idea in Operation Chaos (1971), where the worldbuildingâs premise is that magic and magical creatures have been reintroduced into the modern world, because a scientist âdiscovered he could degauss the effects of cold iron and release the goetic forcesâ. And that until then, they had been steadily declining, ever since the Iron Age came along.
There are a million examples, Iâm just focusing on those that would have had a more direct influence on roleplaying games. However, I should note that all these say âcold ironâ but mean âironâ. Yes, the fey call it cold, but they are a poetic bunch. You canât expect Robin Goodfellowâs words to be pedestrian, now can you?
RPGs
And from there, fantasy roleplaying systems got the idea that Cold Iron is a special material that fey are vulnerable to. The term had been floating around since the early D&D days, but inconsistently, scattered in random sourcebooks, and not necessarily meaning anything else than iron. In 1st Editionâs Monster Manual (1977) itâs ghasts and quasits who are vulnerable to it, not any fey creature. Devils and/or fiends might dislike iron, powdered cold iron is a component in Magic Circle Against Evil, and âcold-wrought ironâ makes a couple of appearances. For example, in AD&D it can strike Foolâs Gold and turn it back to its natural state, revealing the illusion.
Then Changeling: The Dreaming came along and made it a big deal, a fundamental rule, and an anathema to all fae:
Cold iron is the ultimate sign of Banality to changelings. ... Its presence makes changelings ill at ease, and cold iron weapons cause horrible, smoking wounds that rob changelings of Glamour and threaten their very existence.... The best way to think about cold iron is not as a thing, but as a process, a very low-tech process. It must be produced from iron ore over a charcoal fire. The resulting lump of black-gray material can then be forged (hammered) into useful shapes. â Changeling: The Dreaming (2nd Edition, 1997)
So now that we know how iron works, does that description make sense? Well, if we assume that the iron ore is unceremoniously dumped on coals, it does not. You canât smelt iron like that. If we assume that a bloomery is involved even though itâs not mentioned, then yes, this is broadly speaking how ironâs been made since the Iron Age, and until blast furnaces came into the picture. But the World of Darkness isnât a pseudo-medieval setting, itâs modern urban fantasy. So the implication here is that âcold ironâ is iron made the old way: you canât buy it in the store, someone has to replicate ye olde process and do the whole thing by hand. Now, this is NOT how the term âcold ironâ has been used in real life or fiction thus far, but hey, fantasy games are allowed to invent things.
Regardless, 3.5 borrowed the idea, and for the first time D&D made this a core rule. Now most fey creatures had damage reduction and took less damage from weapons and natural attacks, unless the weapon was made of Cold Iron:
âThis iron, mined deep underground, known for its effectiveness against fey creatures, is forged at a lower temperature to preserve its delicate properties.â â Playerâs Handbook (3.5 Edition, 2003)
Pathfinder kept the rule, though 5e did not. And unlike Changeling, this definition left it somewhat ambiguous if weâre talking about a material with special composition (i.e. not iron) or made with a special process (i.e. iron but). The community was divided, threads were locked over this!
So until someone points me to new evidence, Iâll assume that the invention of cold iron as a special material, distinct from plain iron, should be attributed to TTRPGs.
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1st edition goobers and their cursed guns
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