La Mode illustrée, no. 23, 4 juin 1871, Paris. Toilettes de Mme Fladry, 27, Faubourg Poissonnière. Ville de Paris / Bibliothèque Forney
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La Mode illustrée, no. 23, 4 juin 1871, Paris. Toilettes de Mme Fladry, 27, Faubourg Poissonnière. Ville de Paris / Bibliothèque Forney

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Korekiyo Shinguji from Danganronpa V3: Killing Harmony
"do not get me started on how completely and utterly shit his writing was, the amount of incest jokes i've seen about him that completely downplay the horrific realities of incestuous abuse alongside literally everything else about his canonical writing pisses me off to no end. writing aside, i really enjoy his visual design. The long hair mixed with how closed off he is from the rest of the world and how anachronistic the military esq attire is from the rest of the cast's design really works for me and i wish it was on literally anyone else from literally any other game. if you were into danganronpa as a teenager it's in your best interests not to go back and replay the games"
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Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Jean Baptiste Carpeaux, Springtime, 1871, marble, 19 x 14 x 12 in. (48.3 x 35.6 x 30.5 cm.), Smithsonian American Art Museum, Gift of John Gellatly, 1929.8.395
De Commune van Parijs: niet zo rood als gedacht
Eigenlijk is het de schuld van Karl Marx (1818-1883) dat de Commune van Parijs uit 1871 vooral een rode, linkse- of extreem-linkse mythe is geworden. Hoewel er sinds een paar jaar ook wel extreem-rechtsen, zoals de notoire antisemiet Alain Soral, op 28 maart bloemen leggen bij de ‘Mur des fédérés’ op het kerkhof Père Lachaise, waar in 1871 166 gewapende strijders van de Commune zonder vorm van…
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