Dec 11, 2025
1560 Attributed to Alessandro Allori and assistants - Lucrezia de’ Medici
(North Carolina Museum of Art)
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1560 Attributed to Alessandro Allori and assistants - Lucrezia de’ Medici
(North Carolina Museum of Art)
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A Memento Mori Skeleton, France, 1566
Limestone 55 ½ in. (141 cm) high
Parts of an Armour for the Tilt, French, 1550-60
From the Philadelphia Museum of Art
Galileo Galilei, b. February 15, 1564 / 2026
An Amsterdam 'hulk'c.1560 by Arnold de Lange, 2025
Oil on panel, 24 x 30 cm
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Title: The Sacrifice of Iphigenia Artist: Pieter Aertsen (Dutch, ca. 1508-1575) Date: ca. 1560 Genre: mythological art Movement: Northern Mannerism Medium: pen in brown ink Dimensions: 119 cm (46.9 in) high x 260 cm (102.4 in) wide Location: Museum Boijmans van Beuningen, Rotterdam, Netherlands In this highly wrought drawing, figures in twisted poses typical of Mannerism react to the central act of violence, as Agamemnon prepares to plunge his sword into his bound daughter Iphigenia. Smoke billows from the altar beside them, showing that the sacrifice is imminent. The figure at far right who turns her face away may be Clytemnestra.
Pieter Aertsen, who worked both in his native Amsterdam and in Antwerp, specialized in genre scenes, including monumental paintings that blended genre art and still life. His work influenced both the emergent Flemish Baroque and the later Dutch Golden Age.
Ceremonial sword with scabbard (blade late medieval period, hilt and scabbard around 1560)
Kunsthistorisches Museum Wien
Ceremonial sword, possibly intended for use in funeral processions. The black velvet scabbard and imperial eagle-head quillons suggest it may have been carried during the funeral ceremonies of Emperor Ferdinand I in 1564.
Type: sword, ceremonial weapon, possibly funeral weapon
Origin: Blade: Passau (?); hilt and scabbard: Netherlands
Material: Iron, silver, wood, velvet, brass
Technique: Forging, casting, fire gilding, engraving, punching, brass damascening
Decoration: Pommel of four angel heads; grip with male and female heads within strapwork; guard with a lion's head and eagle-head quillons; locket with two serpents, a Medusa head, a scorpion and two lizards; chape with a lion's head, Bellona and an angel head.
Marks: Passau Wolf and a left-parted shield in brass damascening on both sides of the blade; unidentified goldsmith's mark on the crossguard
Accessories: Black velvet-covered wooden scabbard with fire-gilt silver locket and chape
Saoirse Ronan in Mary Queen of Scots, 2018