Jun 9
Do you know this SFX? #1512
I know where it's from
It sounds familiar
I've never heard this
Voting ended onJun 16
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Do you know this SFX? #1512
I know where it's from
It sounds familiar
I've never heard this
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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'sudan çıkmış balığa döndürüp güneş açan gökyüzü, sende beni sevmiyorsun artık farkındayım ki.'(
Chiaki Nanami from Super Danganronpa 2: Goodbye Despair
"her transgender swag. she's the ultimate gamer btw"
Do you like this character design?
Yes
No
It's Complicated
1512: X spousal/married term
PT: 1512: X spousal/married term /end PT
DEFINITION ⦂⠀Someone who uses x as a spousal/married term; like husband, spouse, or wife.
PT: Definition: Someone who uses x as a spousal/married term; like husband, spouse, or wife. /end PT
OR ⦂⠀Someone who uses x instead of spouse/married.
PT: Or: Someone who uses x instead of spouse/married. /end PT
ADDITIONAL ⦂⠀Coined on the 4th of August, 2026. Diamond from vectorshock (link).
PT: Additional: Coined on the 4th of August, 2026. Diamond from vectorshock (link). /end PT
TAGGING ⦂⠀@c1rcus-of-silliness @dearestchild @goregender @mates-friends-and-loves @pridetemplates @radiomogai @shipchive
-ehhh LOL,,,
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Akutagawa daily 1512/★
I'll be honest: this engraving unsettles me, and I think that's the point. Lucas van Leyden was around 18 when he cut this plate in 1512 - and what fascinates me isn't the central drama but everything at the edges. The figure crouched on the ground, lower left, finger extended toward the main scene like a stage direction made flesh. The archway behind them all, where figures are caught in some tense confrontation nobody in the foreground seems to notice. A small shoe lies abandoned on the floor, belonging to no one. The important conversation happens up front while something ominous unfolds one room away - visible to us, irrelevant to them. Van Leyden worked with a burin directly on copper (not a woodcut - each line carved into metal, no room for error), and the crosshatching is almost absurdly refined for someone his age. Every fold of fabric has weight. It's that background scene I keep returning to. The story within the story that the room ignores. Quelle: meisterdrucke.com
Casual switchup...
