#*panics*

The core idea for Gladiator was suggested to me by a reader over at FF.net back in February 2013. One day, a month later, I gave the idea a little more thought than I had when he first offered it and my brain went into overdrive when I concocted these specific concepts that, at the time, were the very core of the story:

Azula and Sokka as partners with thicker sexual tension than anything I'd written in my life until then, in a will-they-won't-they situation that, of course, results in "THEY DID". In this setting, the war didn't end on time, meaning that a lot of things changed, including that Azula's got a blank slate in a lot of regards, so both her and Sokka need to be developed from scratch. Initially, I wasn't sure of where exactly I'd take the relationship aside from knowing that they'd obviously get together, but the specific concept of what I'd do with their relationship only arrived sometime later (as in, when I realized I was too addicted to this story and had too much to do with it to "cut to the chase", unlike what certain people wanted me to do). Also, of course, major potential to make them an epic battle couple, something I'd never gotten the chance to write them as until then, so big plus there!

Their biggest rival throughout the story would be Toph, banking on a very different portrayal than the fandom usually likes in Sokka and Toph's dynamics: she would be the big enemy inside the league that he struggles the most with defeating because, let's be real, it feels like no one could have ever imagined that Sokka could ever beat Toph in a fair, one-on-one battle until I outright wrote it in the final arc of Part 2 X'D Hence, I figured that giving him that HUGE initial goal to pursue (defeating Toph) would give us a solid story thread to follow for a long time.

Iroh as Toph's sponsor because of The Chase and their canon bond, with Toph basically being Iroh's biggest fan in the Gaang due to their bonding scene in that episode. I would then be expanding on a bond that, back in the day, was a fandom favorite and that, these days, seems to have gone completely under the radar because it feels like nobody even TALKS about it anymore. It's kinda taken for granted, I'd say?

Combustion Man as THE TOP DOG of the Ranking. The final hurdle both Sokka and Toph need to outdo to become the best gladiators in the league. Why are they trying to do that? In Toph's case, she loves fighting, this story basically gave her a chance to go wild in that sense and measure herself against all kinds of enemies. In Sokka's case? As proposed by that reader's initial pitch, he'd be forcefully taken from the Fire Nation and would want to go home: his deal with Azula solidified then as the reason why he wants to be #1. Once he wins and beats Combustion Man, Azula will consider their contract fulfilled and she will let him go back to the Water Tribe.

Zhao as Combustion Man's sponsor because I needed someone relevant to do it, it didn't feel right to just make an OC for a role so important, back in the day, and in this setting, Zhao wouldn't have died/vanished in the NWT so he was available for my needs -- all of which then led me into building a backstory where Azula held some manner of resentment towards Zhao that pushed her further in her need to find a gladiator and become the best sponsor in the league.

These five story elements were the first things that came to mind. As I liked the idea of Azula and Sokka having an immensely conflictive relationship at first, where they couldn't trust each other 100% but they LIKED each other way more than they wanted to, I switched the "Sokka gets captured by randos" from the original pitch to "AZULA captures Sokka", and that resulted in a LOT of extra chaos than what was part of the story's original concept :'D I'd dare say the main positive element about this was that the story felt more dynamic in the second chapter (when they meet for the first time) than it would have if Sokka had been caught by any other Fire Nation military officer. It even puts forward the deepest layer of rivalry in the story too: the one person in the Fire Nation settlement who could have outdone Sokka is Azula. If he had faced anyone else. he might have had chances of success... but not when he faced her.

This, then, means that Azula HERSELF is a big goal and hurdle Sokka has to overcome. Partly, their relationship would've granted Sokka the means through which he could achieve that goal, but the point is that, from very early on, I realized that I wanted the story to chronicle the gradual journey of how Sokka went from... uh, a hundred to infinity X'D because no, he wasn't a zero, he just wasn't THAT good just yet. I wanted this journey to become a full exploration of Sokka's potential as a warrior until he was strong enough to go toe to toe with Azula and defeat her one day...!

... And once I realized that, one of the first core scenes of Gladiator came into shape. As in, the day Sokka finally defeated Azula.

Also known as chapter 96 :')

On the day Sokka beats her, EVERYTHING changes. This change is primarily fueled by the fact that he DOESN'T want to defeat her, at that point. He is so done with their frequent conflicts when the one thing he REALLY wants is... her. And Azula wants HIM. So when he impulsively kisses her instead of dealing a killer blow...! Yeah, uh... pfft. God, I had done so little plotting of their character arcs that I ACTUALLY thought, back then, that there'd be tension in terms of the readers thinking "omg, is he going to kill her?!" ... yeah, that was dead in the water so fast x'D I sincerely doubt ANYONE ever imagined that he'd do that when that scene came around, but you asked about how the plotting went in the initial stages of the story, pretty sure this specific hilarious tidbit illustrates that fairly well x'D anyway, Azula surrenders and the whole underlying theme of a war between them finally gets resolved in the best way it could! :'D

But... how would THAT particular fight sequence come about?

And that's where the lead-up to the scene started to take shape! Sokka has been trying to beat Toph, but he can't! She beats him when it FINALLY looks like he might win. When that happens, Sokka seems to be ready to give up on everything, and Azula lashes out at him because she won't let him quit on her just like that. BINGO!

... And that, dear asker, was the first genuine scene and arc plotting that I did for Gladiator.

After this? I thought Sokka would go on to fight Combustion Man after a final fight with Toph in which he finally beats her. This fight with Toph, back then, was bound to take place within maybe a few months of his last defeat at her hands, I thought, but with the power of getting laid, Sokka was totally going to kick ass this time and then go on to defeat the BIG DEAL, COMBUSTION MAN HIMSELF.

And then he'd kill him. Paying a bit of homage to canon :')

It slowly came together, however, that a fight against Combustion Man quite so soon after defeating Toph was probably not going to be... well, completely reasonable unless the situation REALLY called for it for... some reason. While I'm not entirely sure that I came up with this right away, it probably wasn't over a week after I started plotting the story that I figured that Iroh would vindictively tell Ozai about Azula and Sokka's relationship after witnessing what he shouldn't have witnessed when they celebrated their triumph over Toph a little more enthusiastically than would have been appropriate :'D Then, since Combustion Man would be serving, in a sense, as Ozai's executioner of bad gladiators for sponsors who need a lesson, he'd be the one tasked with killing Sokka only for Sokka to kill him right back (?)

At this point? There was no Xin Long. The idea of Sokka killing Combustion Man through a volatile bomb predates Xin Long! I boldly snuck in a reference to how Sokka would defeat Combustion Man as early as chapter 2 because I'm crazy and wanted to make it a useful callback in future chapters, unaware that "future chapters" meant ALMOST 250 CHAPTERS LATER! X'D Anyway, point is, I wanted Sokka to defeat Combustion Man through different means than in canon, seeing how in canon he had advantages he wouldn't have had in this story (this is a controlled environment, a one-on-one fight, there's no cover where Sokka can objectively hide, he wouldn't have the opportunity to just fuck up Combustion Man the exact same way, he's not going to fall to his death, for there's no abyss nearby...). So, I came up with the volatile bomb for that purpose, and that tells you that I spent around 7 years with the image of Combustion Man burning to his death living rent free in my head before finally writing it :'D

OKAY! So! What else did I come up with...?

I think Sokka and Azula's first kiss was relatively early plotting too. The idea of Sokka carelessly flirting with Suki in the ring came to mind, and Azula being Azula, she wasn't going to appreciate that at all, so she would have kissed him recklessly in a very inappropriate and territorial bid to stake a claim over him that she really shouldn't have... but Sokka would've thought it was hot and gone with it anyway (?)

Funny reveal time here: back in the day, I was determined to ensure that they wouldn't kiss again after that first kiss, not until they were ready to bang in chapter 96. Can you believe I thought I'd have the self-restraint to pull that off? x'D I laugh at my innocence in those regards to this day.

The second kiss I planned, probably MONTHS later, was actually the one on the way to the Slate. I wanted them to go out of control at one point and for them to be like "omg that was very inappropriate of us! How could we! But omg does that mean you like me tooooo?"

And isn't it HILARIOUS that my plotting was soooo naïve that I STILL didn't realize how far the early chapters would take them in their relationship? x'D

This, in a nutshell, is the exact reason why I CAN'T write out of order: if I'd written the Slate's trip situation as early as when I first thought about it? You can bet it would've made zero sense with all the character progression we saw through the rest of the story. And then I would have had to rewrite it anyway :')

Xin Long, I won't lie, was a bit of a whim on my part, no doubt motivated by my frustrations with canon and how Azula seemed to only get screwed over. So I said "she gets whatever the hell she wants in Gladiator because I hate the world" and once the idea of helping her find a dragon came to mind, I just rolled with it (?) It took me a while to actually integrate Xin Long with the Rough Rhinos arc, I wasn't sure about when I'd introduce him once the idea came to mind, but there was no better chance than to do so while Sokka and Azula were lost in the forest.

About other stuff, I liked the idea of Piandao training Sokka more extensively than in canon, but I didn't want him to be Sokka's host FOREVER because that meant less chances for Sokkla interactions. So... I had to get rid of him.

Believe it or not, I didn't sort out the in-world reasons to explain why I'd gotten rid of him until well around 3-4 years into plotting the story :')

Piandao's connection to Ursa felt natural after I really started thinking about it, but that took AGES to properly plot. Initially? I just needed him to go away. And in a sense, the excuse was that Iroh was on his way home, meaning, there was a Grand Lotus near the Fire Lord's court, way closer than Piandao ever was, so he didn't NEED to be there anymore.

... And that kind of led into Zuko.

While I was absolutely overtaken by the wild plotting involved in soooo many other aspects of the story, my good friend @jordanalane, no longer active on tumblr or the fandom, put up with my rambling about ALL THESE IDEAS and went "Yay! This story sounds fun! What's going on with Zuko here?"

Me, internally: "... Well shit I forgot about Zuko."

I won't say that she singlehandedly set up Zuko's journey in Gladiator, but saying that she gave me about 65% of the ideas for what I'd do with him would probably be fairly accurate, unless the percentage is larger than I thought. I actually toyed with the idea of setting up Zuko and Aang on a way bigger, political journey that we'd only occasionally glimpse while we focused on Sokka and Azula's partnership within the Fire Nation culture and all the gladiatorial chaos. Very early on, the plan seriously wasn't for Sokka to become... well, what he is now xD So I was genuinely going to leave all the heavy lifting of the war to Aang and Zuko because, ultimately, the Fire Nation has to be defeated and they're the ones who usually get up to that, right?

I think I've mentioned that, post Combustion Man's death, I had no idea wtf I was going to do. Like... I knew that was far away. I knew I'd have the time (or at least, I faithfully believed I would) to figure out what I'd do before we got to that point. I absolutely knew the story could not possibly end there.

So at this stage of plotting, I toyed with Blue Spirit Zuko joining the Gladiator League briefly as a destabilizer within the system (and then I started writing Zuko in the story and realized that... no. There was just no way this guy wanted anything to do with the Gladiator League as a fighter or even as a sponsor. Nope). Then, I thought he should go south (though I had no idea how I'd get him there!), where he'd find Aang eventually! There was a veeeery small window of time in which I considered keeping Aang at 12-years-old, which would've made Kataang waaaaay too unsettling since Katara would've been over 20, and I thought maybe Zuko and Katara could be a thing? But the idea never really solidified into anything I wanted to write between those two, it felt like an older Katara would've focused even more on protecting Aang (becoming the actual mother figure the fandom and even canon are obsessed with adultifying her into at 14) because she'd be too aware of how young and fragile he was...!

... But then? I thought it would've actually made sense for Aang to be more than just the little boy who saves the day and everyone protects:

Why not make him an opportunity for Katara to learn her Tribe's traditional and lost waterbending styles?

If I aged up Aang, and made it so he had been frozen in the South Pole, not out of sheer chance but out of him actually BEING IN THE AREA when the storm struck him? That could do the trick! If his journey as a waterbending master was already underway by the time he was frozen, then he'd have two elements down... and he could be Katara's teacher instead! While there were downsides to this decision, of course, it actually made a ton of sense to me mainly because I don't love the way it feels like Katara, in canon, never truly reclaimed the traditional southern style of waterbending. This, then, meant that Aang could provide her with a connection to her own people and their past, something he can't offer her in canon.

So! With that in mind? I aged up Aang and made him 19, and Kataang could be preserved and be developed this way. Part of it is also motivated by my genuine confusion, when I first watched the show, over the old Air Nomad leaders deciding that Aang, already declared an airbending master, "needed to master more advanced airbending techniques" right after revealing that he was the Avatar. I mean... if he's already a master, doesn't it make more sense to send him to the next element he's supposed to learn? Especially considering it's water? And considering that the storm clouds in the horizon were coming from the Fire Nation, so the more water to fight them, the better? :'D

So yep, that was another reason why I made the choices I made.

Lo and behold, slowly and surely, the core bones of Gladiator were starting to take shape: Azula and Sokka start as contentious allies, joining forces for a common goal and very different motivations, all of which would lead them into falling in love over time. Their biggest threats in the league are Toph and Combustion Man, but perhaps bigger still would be Iroh, who would rat them out to Ozai (I'm 100% serious when I say this specific element of the story has been part of Gladiator's DNA since the very start, the whole journey I threw Iroh into was basically "how do I get him to the point where he would be THAT pissed off as to do something like this with no regard as to the consequences of his own actions?"). Zuko, Katara and Aang would more or less stick to being involved in fighting the war, they wouldn't be all that connected to the Gladiator League or anything to do with that.

Worth noting that my friend started to come up with ideas for Zuko and Suki to get together and make sense as a couple in the story, and while at first it was just a casual thing that I figured would work alright, her ideas became... so much more poignant than I ever imagined they would be.

About one year, maybe a year-and-a-half, after I started plotting Gladiator, I actually figured out what my endgame would be.

At that point, I actually knew where we were going and I started to focus my attention on plotting how to get there. New concepts started to pop up, things that I absolutely hadn't thought about from the get-go: I DID have my alternate idea on what was going on with Ursa since ages ago (the swamp concept, as you'll likely have read already...), and after The Search thoroughly disappointed me, I chose to stick with that path without looking back. But while this was in the background, something I knew had happened but that I doubted I'd be able to work into the story productively, I realized it would actually be something I could explore IN the story once Part 3 stopped being a big nebulous blob of mystery for me. I decided that Sokka and Azula would be torn away from each other, that HE would be the one leading the war faction out of the South Pole and into the chaos of war, that Piandao's tile for Sokka, mainly done as homage to canon back when I wrote that, could actually represent something FAR GREATER if Sokka joined forces with the White Lotus to fight the Fire Nation and return to Azula...!

... And one of my most evil advisors of those years also very casually inceptioned into my head the very wicked idea of pregnant Azula in the middle of this mess :'D

I could go on and on, honestly! I have one funny thing to bring up, and it's that the scene from the Northern Air Temple arc, where Sokka tells Azula his true fears and feelings about his family, how he doesn't think he's worthy of going home and is genuinely apprehensive of returning because he thinks his dad will be disappointed in him? That... was repurposed from a very early idea I had for Sokka and Azula, once they were properly together, traveling to Whaletail Island, and spending a casual day/night in bed talking about a lot of things, which then led into Sokka talking about his family and what he actually felt about them, which Azula wasn't supposed to know about until then :'D That was, ironically, the origin point for the Whaletail Island arc. The scene that originated it just... never happened x'D

As you may be able to tell... the progress of their relationship, the evolution and development of the characters, caused a LOT of things to move forward way faster than I thought they would. Hence, Sokka wound up telling Azula about all those things WAAAY sooner than I originally envisioned. By then, Whaletail's scene was kind of broken down and spread into other situations and arcs instead! Again: this is why I can't write out of chronological order xD

One funny thing to look back on was my confident belief that Sokka and Azula would spend the bulk of Part 1 doing a mutual pining thing where neither one realized the other felt the exact same way about them... when I was in the middle of their best conversations in the Rough Rhinos' arc, the THIRD ARC of the entire story, I was like "yo... they're 100% aware of the fact that they're down bad for each other already. There's literally no mystery about how they feel, THEY OBVIOUSLY ALREADY KNOW." And that hilariously changed A LOT of how things developed later, because I sure as heck didn't plan for them to kiss in the Rough Rhinos arc at all (it kinda happened on a whimsical plotting session, a few days before writing it :'D). I did NOT plan for them to kiss at Ty Lee's backyard, either (oh, this one was basically them getting out of my control and doing whatever they wanted, same evil advisor I mentioned earlier told me to go with it while I cried to her about how I apparently just COULDN'T STOP THEM FROM MAKING OUT???)...

Ember Island's arc, so poignant and crucial and such a KEY element in their relationship, was probably plotted well after... six months since the original idea of Gladiator came to my head. I did not think about this one until A WHILE into writing the story already. I was probably almost done posting the Rough Rhinos by the time the full concept of that arc materialized in my head! The beloved Pairs Tournament arc? That was 100% a reader's suggestion, from an ask I got one day! x'D I told them that sounded like a fun concept, and then, once I pondered it some more and fleshed it out, it ended up becoming a highlight for me, it's gone on to become a fan favorite arc of the entire story, as well as The Arc where Toph finally became friends with Sokka and Azula properly!

So. Yep. Basically... I do not plot anything linearly. I can't. If I did, I wouldn't have a clue of where I'm going and I'd lose my steam so fast that I would just crumble under the weight of not seeing the point of what I'm doing. I think I can write without a huge endgame, to a fault, with less demanding stories... but Gladiator was ALWAYS so much bigger than anything my brain could wrap around back when I first started to plot this story, and it's no joke to say that it's really taken me ten years to not only write it, but actually plot the story as thoroughly as I can (hell, only a few months ago I got struck by lightning with A PLOT TWIST that I just wrote yesterday! A crazy development I absolutely HAD NOT thought about, and that I fell in love with completely when it came to mind!). The amount of threads and possibilities and ideas that I've been juggling for AGES is probably a little crazy, honestly.

But yeah, in short, it's wild to think that even though I absolutely planned several things YEARS before they came into fruition, ultimately, the final arc of Part 1 came together before the first one, in many senses. It came together before every arc, basically, and all the material in between was just a matter of building a huge, solid bridge to the point where Sokka and Azula would finally act on their feelings. The process through which I got there absolutely changed me in a thousand ways, my ideas and my plans often wound up switched up whenever a random, crazy idea came up, and I thought to myself "... and why not?" after a few moments of indulging it and being on the brink of discarding it.

As another fun tidbit of information? That's kind of what happened with something as vital to the story as Rei has been, throughout Part 3: she is a character I came up with, not really on the fly, but at relative random once I was planning on having Azula seek Zhao for help over Toph's predicament back in Part 2. I loved the idea of a teenage, dorky maid who had NOT expected to meet the Princess, but initially? She's nothing to make a fuss over because we've been seeing heaps of people who are starstruck by Azula by then. She only stands out for having the dorkiest reverence ever x'D and part of why she stands out too, instead of getting written off, initially, as Zhao's nameless, aimless home staff, is because I had thought about the potential of making her Zhao's illegitimate daughter at this point in time! But I DIDN'T go all in with it on her first appearance... because I wasn't sure. Because I didn't think I could juggle ANOTHER plot point and new character on top of everything I had to set up (at this point I was particularly preoccupied by figuring out how to establish Shaofeng and Renkai as important characters for my future purposes with both of them :'D). So I said "nah, you know what? She's just the cute and quirky maid. We like her. Zhao is decent to her. He doesn't need to be her father."

... About two weeks before going all in on the Hahn's Gambit arc, I was pondering Part 3. The idea of Rei being Zhao's illegitimate daughter returned to mind. My impulse was dismissing my own thoughts, frankly, along the lines of "I mean, wtf would she even do once Zhao becomes Crown Prince? She'd be abandoned in the estate anyway, like, what, she would inherit it or something?" and then... then it struck me. I realized that she could very well just come with him. As his maid. And then, she could become Azula's maid...

... What followed was about three days of plotting that suddenly brought LIFE to Azula's Part 3 early storyline and I suddenly could not BELIEVE I had ever let myself think I could let go of this character and make nothing of note with her x'D

The situation with Rei is, indeed, something that happened often throughout Gladiator. Some ideas I've clung to, some ideas I've dismissed, some ideas have terraformed the groundwork I'd already set up... and instead of panicking about it? I've done what I could to work with it. Hence, that the will-they-won't-they did NOT include the agony of "but would he/she return my feelings?!" wound up being a result of the build up, something I didn't plan all along but that worked perfectly for my purposes. The idea of making Sokka and Azula's relationship not be just some powerful high, the be-all-end-all of the story once it was crystallized and once they were together? That wasn't immediate, either... but it certainly came along as a result of my greed, I'd dare say x'D

When I realized how long this story was going to be, I told myself this fic was basically the landscape upon which I could very well turn all my Sokkla dreams come true. And it wasn't ONLY the Sokkla dreams related to their fluff, or smut, or angst... no, it was even the fact that, for ONCE, I could build a story where Sokka and Azula were NOT the B-story to Zuko and Aang's A-story, unlike how it might have felt in most any other story, hell, even in my long defunct plans for how to conclude the story (and thank God that I dismissed that mess, honestly). Suddenly, I realized I could bring the ENTIRE Avatarverse together, reconfigure every character, repurpose as many of them as I cared to... and create a scenario where the story, every single major beat of it, was connected to THEM. Where the battle against Ozai was no longer some distant conflict with unexplored emotional stakes, it's a PERSONAL one, not only for Azula but for Sokka as well. And while I'm not going to pretend that I'm the only person who has ever rewritten ATLA to this extent without centering the story on Aang or Zuko, I can certainly say that I've never seen anything of this scale elsewhere (... which can be kinda literal too, considering this is, indeed, the longest fic in the fandom...).

But I REALLY didn't start out with that idea in mind. Back when the concept came to me... I really didn't know where I would be going, honestly. I knew this would be a HUGE commitment, but I didn't know how big, exactly. Now that I do know, that I have the full scope of the story in my grasp... I can tell you that yeah, I had no idea what I was getting into and I'm glad I jumped in anyway x'D

If anyone gets all the way through this long post and wants advice on how to cope with ridiculously long stories that are that difficult to plot? I think that my advice would definitely be to give it time, let it simmer, find the moments, the scenes you REALLY look forward to writing. Don't settle for powering towards the endgame without advancing the story beforehand: push things at other points of the story and if, when you reach your big story climax, you find that the leadup is different from what you were expecting you'd have in your hands, once you got there? ... Roll with the punches. Reconfigure the scene in your head. Improvise, to a fault, and build up FURTHER on what you already had... because the likelihood is that the outcome is going to be a thousand times better than your OG plans were. Don't let yourself get lost in enforcing a plot stubbornly: nothing makes a story come to life as vividly as surfing along with the new highs and changes that hit you at the spur of the moment, figuring out how to make your story the best it can be. I won't pretend Gladiator is anywhere close to perfect... but after just looking back on everything that has led us to where we are? I can definitely say I'm very proud of this story's journey, very proud of having jumped into this madness even when my vision of it, at the time when I started plotting, could have never informed me of every crazy thing I'd end up achieving with this story. While some important elements of the story 100% stayed true to my OG concept... I'm really glad that I let myself change certain aspects because it enriched everything I was doing well beyond the scope of what I could grasp back then.