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Josh O'Connors in " Gods own country " , de Francis Lee , 2017

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“SELF-PORTRAIT” // 1972 ROBERT MAPPLETHORPE [hand-colored photostat, flush-mounted | 22 ¾ x 17 1/2″]

theonlinecollector

Joan Vilatobà Fígols

Desnudo masculino de espaldas

Museo de Arte de Sabadell

LUISA IGNACIA ROLDÁN VILLAVICENCIO, LA ROLDANA (1652-1706)

El arcángel San Miguel venciendo al demonio, detalle

MICHELANGELO MERISI DM CARAVAGGIO (1571-J610)

Salomé con la cabeza del Bautista, detalle

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Maruja Mallo

Escenografía para Clavileño (1935), obra basada en El Quijote de Cervantes, con música de Rodolfo Halffter

Mame-Diarra Niang (1982)

Morphologie du rêve #6. Série «Sama Guent Guii»

Yves Klein

Esclavo agonizante (según Miguel Ángel)

Museo arqueológico de Bolonia

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Andrea Commodi, 1560-1638

Studio per la caduta degli angeli ribelli

Gallerie degli Uffizi

instantgoddess-deactivated20250

Sophia Loren

Tableau synoptic des traits physionomiques: pour servir a l'étude du "portrait parlé"

Alphonse Bertillon 1909

Eadweard Muybridge

Animal Locomotion. An Electro-Photographic Investigation of Consecutive Phases of Animal Movements. 1872 Volume V, Man Pelvis Cloth

Figura femenina, Grecia. British Museum

Entre 5200 y 4000 años atrás los habitantes de las Islas Cícladas del mar Egeo fabricaban miles de figuras predominantemente femeninas talladas en mármol. De características anatómicas estilizadas, estas figuras se han hallado tanto en excavaciones arqueológicas como en tumbas. Su significado no está claro, pero su abundancia sugiere que estas culturas tempranas daban gran importancia cultural y espiritual a las mujeres y a la feminidad.

De la exposición Temidas y veneradas en el CaixaForum, Madrid

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Robert Mapplethorpe

Efebo romano, museo de Antequera

#escultura romana

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