A MAN WHO SMELLS FLOWERS AND LOOKS FOR THE COFFIN.

Margaret Atwood, Bluebeard's Egg; from 'Betty'

“disCONNEXION #b12” XING DANWEN 邢丹文 // 2005 [chromogenic print | 73.6 × 59 cm.]

Hiroshima mon amour (1959), dir. Alain Resnais

ANGUS CLOUD photographed by Damon Baker

Leonora Carrington, The Hearing Trumpet

Eros + Massacre (1969)

Alejandra Pizarnik, The Shadow Texts; from ‘Garden or Time’, tr: Yvette Siegert

— Sylvia Plath, Collected Poems; from ‘The Ghost’s Leavetaking’

CARRIE (1976) dir. Brian De Palma

﹙ Text ID: “You will never follow me into destruction, into death.” / “I will follow you wherever you want. I love the pain in you. There are worlds deeper down, each time we sink and are destroyed, there are deeper worlds beneath which we only reach by dying.”﹚

— Jorie Graham, from “Prayer” in Never

— Rosemary Gordon, Symbols: Content and Process (via funeral)

Rainer Maria Rilke, The Book of Hours, translated by Anita Barrows and Joanna Macy

I started late as an actor. I did my first thing when I was 30, and my first thing in America when I was 40. So it happened pretty fast in my career and I can’t complain that it’s late in my life, I was just slightly late.