Where Should We Sit?

Breakfast at Tiffany's 1961, dir. Blake Edwards

PRIDE AND PREJUDICE (2005)

Maybe we don’t love life enough….a passage I clipped from The Fall by Albert Camus

THE EMPIRE STRIKES BACK (1980) dir. Irvin Kershnerd

THE PRINCESS BRIDE (1987) dir. Rob Reiner

Schindler’s List (1993) Dir. Steven Spielberg

Robert De Niro in The Godfather Part II (HD SET)

Le Samouraï (1967) - Jean-Pierre Melville

During rehearsals and on the set of The Graduate (1967)

Roman Polanski

Steven Spielberg photographed by Peter Hapak

Put your arms around me, fiddly digits, itchy-britches, I love you all.

-Quentin Tarantino

Paulette Goddard & Charlie Chaplin in Modern Times (1936)

In Hollywood, more often than not, they’re making more kind of traditional films, stories that are understood by people. And the entire story is understood. And they become worried if even for one small moment something happens that is not understood by everyone. But what’s so fantastic is to get down into areas where things are abstract and where things are felt, or understood in an intuitive way that, you can’t, you know, put a microphone to somebody at the theatre and say ‘Did you understand that?’ but they come out with a strange, fantastic feeling and they can carry that, and it opens some little door or something that’s magical and that’s the power that film has.