Koshiro ONCHI “Title lost”, Woodblock: dimensions 8.5x6.7cm
he wasn't even looking at me and he found me
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Koshiro ONCHI “Title lost”, Woodblock: dimensions 8.5x6.7cm

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Jimmy De Sana. Masking Tape, from the series Submission, 1977-78.
Bruno Keusen ph. (Brazil) Emerging Talent LensCulture Awards 2016

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Jesse Draxler
Günter Rössler, Gisela, Germany, 1968
Alfred Stieglitz, Georgia O’Keeffe (Hands) (1919)
Old studies – light through trees

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Shadow Play - Vito Acconci, 1970 (from “Three Relationship Studies: Manipulations, Imitations, Shadow Play”) In this three-part exercise, Acconci explores the dynamics of the artist’s interaction with or manipulation of an other. Each study involves a form of mirroring. In Shadow-Play, Acconci spars with his own shadow image, aggressively confronting himself as other. In Imitations, Acconci attempts to mirror another man’s gestures and actions. In Manipulations, Acconci — seen by the viewer in a mirror — faces a nude woman and directs the movements of her hands over her body through his own hand motions.
©shinji aratani
Young and Innocent (1937)
Ruth Bernhard CONFIGURATION (SHADOWS), 1962 / photography /
Wilson Alwyn Bentley (1865-1931) - Dew on Plants (with Bentley’s reflection), nd

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đź…° Walter Chappell, Pointing Nude, Kau Desert,Volcanoes National Park, Hawaii, 1978.