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The guard dog -> loyalty has been ingrained into their bones, following their handler around like their shadow. No one dares stand against the organization because of the legendary dread surrounding this living weapon. They hardly say a word but every movement is calculated, eyes always darting, always watching. (“You always were their lapdog.”)
The loose cannon -> dangerous for both sides. Always talking back and never predictable, their value is dependent on their skill. If it wasn’t for that, they’d be dead a long time ago. Their loyalty is earned, not bought. No one wants to be on their bad side, walking on tip toe whenever they show up. And they enjoy it. (“What’s everyone looking at? Aren’t you happy to see me? I even brought my rifle!”)
The broken down -> most common type of whumpee I’ve seen. They’ve been overpowered and forced into the commission. They hate their handler more than anything else but see no way out. When they’re told to shoot, they don’t even blink. It’s always “yes, sir” this and “yes, sir” that. If they feel any sympathy, they don’t show it. They’ll do anything to avoid punishment and flinch at quick movements. Nothing they face on the field is worse than the cards they’ve been dealt. (“I understand, sir/ ma’am. I-I’m sorry.”)
The dissenter -> Usually recruited into the organization or joined as a last ditch option. Not necessarily against using their abilities or skill, they just hate being told what to do. As time goes on and their disobedience is punished over and over again, they grow reluctant. Bitter. With every order, they slip in a snarky comment. Roll their eyes. Anything to assert their own identity. Or what’s left of it. (“ah ah ah, you didn’t think i’d notice? The middle finger was a bit much. I’m afraid it will have to go.”)
The ghost in the machine -> known only by their codename by outsiders and by their number in the organization, they’ve been stripped of all humanity. They live, breathe, and think by their handlers orders. They’ve been told over and over again that they are just a weapon. And a weapon does what it’s told. Their anonymity is attached to the organization in the same way a gun is simply an extension of their arm. But at night they still stare up at the ceiling with a blank stare— did they ever a life before this? They can’t remember. (“It’s not like it’s a person. It doesn’t have feelings like that.”)
That moment when Whumpee has an injury on their abdomen – possibly severe. Caretaker carrying them into their bedroom and Whumpee gets set down on the bed too hard.
Their back and head connecting with the mattress jostling their wound, eliciting a thud and a loud groan from Whumpee. “Aahh”, they hiss as their legs involuntarily stretch out, hands searching for something to hold onto.
when I say “I love this character so much. they’re my blorbo” what I mean is “I’m gonna break them down until they’re covered in blood on their knees weeping and begging incoherently for mercy by putting them through the worst pain and torture known to mankind in this fic I am writing. y’all stay tuned 🥰✨✨”
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Abused royal Whumpee? Whumpee who is heir to the throne, but his parent passed away and kingdom is under a rule of regent until Whumpee is of age. But regent does not want to give away power and abuse Whumpee so he won't dare to go against them in the future.
And fun part would be if Whumpee for example was starved and forced to sleep on the floor and beaten, but then all of the signs of abuse got covered up with pretty clothes and no one knows what Prince is going through.
Bonus points if Whumpee is seen as spoiled. Whumpee is exhausted from spending night in cold cell and is taking breaks often and people see him as lazy. Or people see pretty clothes and say "you live in such luxury I bet you eat meat every day" and Whumpee does not even eat every day
op i want you to know that you are SO valid for this, this is delicious. I love it and I want it in everything
want more classic overworking/over-exhaustion whump.
someone pushing themself to the brink because they know they can take it, they always have — and they’re right, but at what cost?
someone who Knows that they are doing too much and hitting their limit but there’s no ethical decision they can make to cut back.
someone with a taste of self-destruction or self-loathing, who maybe pushes too far into the sick, floating feeling of insomnia and gets a worse recompense than they bargained for as a reward.
The powerful/stoic whumpee gets severely poisoned, and the caretaker has to watch them writhe in pain: spitting, fighting and almost getting to the caretaker to save them before collapsing. Let the caretaker watch the fight leave their eyes as their magic/powers try to keep their body functioning.
really really unpopular opinion here, but does anyone else feel like sometimes there can be too much whump in a story? like, obviously I love pain and torture and angst and what-not. that’s why I’m in this community. but sometimes it’s just… it loses its sparkle when it’s all that’s present in a story. I don’t know. I’d love to see some whump fiction that have other stuff going on sometimes other than physical whump, but I know that whump is the most exciting part to write, and the part people are most drawn to, so it’s kind of unrealistic for me to expect that happening any time soon
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fun alternative: cruise ships. cruise ships exploit workers and can pollute as much as a million cars on a daily basis while dumping endless shit into the ocean and endangering all passengers on board because the on board air quality rivals some of the most polluted cities in the world while being a breeding ground for disease. cruise ships deserve to have negativity associated with them
also all crimes commited aboard a cruise ship is under the juristiction of whichever country they’re registered to once they’re a certain distance away from land so you have the added bonus of the crimes being very unlikely to be properly investigated (due to usually being physically so very far from the actual police whose juristiction they’re under)
As an ex cruise ship employee, let me give you some stuff to work with!
Water tight doors! You get a special training video on interacting with these correctly because they will literally cut you in half if you try and go through them while they’re closing!
Freezer vaults for food in the sub decks - you can only get into these with the correct code and they have very thick walls. Good luck if you get shut in one of these just after the last round of checks bucko
There are cameras everywhere…except in the crew cabin corridors. Also there are no windows down there because unless you’re an officer, you live below the waterline. Day and night have no meaning because everything is in the same slightly unsettling yellow light.
Don’t piss off the guys who deal with the rubbish. They have machines down there that can crush metal barrels
As well as morgues, cruise ships usually have one basic operating theatre with all the attendant horrifying equipment in it
One cigarette thrown carelessly in the wrong place WILL start a fire that will gut half the ship.
When we’re pitching side to side, the anchor swings out and then back in, striking the metal outer shell with a noise that shakes half the ship
People disappear overboard more often than you’d really want to be a thing
A lot of cruise ships now have theatres on board (usually towards the front) with all the potential for dark corners, creepy costumes and electrical calamities you could want.
And as op says, you can’t really escape a ship in the middle of the ocean. Particularly during a storm, as then you can’t even evacuate to lifeboats unless the whole ship is going down. On the upside being on board during a storm means most guests hide in their cabins and the staff walk around like drunks, which would likely throw off a skilled murderer’s plans.
List by StayDandy
Synopsis : One legendary Knight called 5-8, meets a young Refugee named Sa Wol who dreams of becoming a Knight. 5-8 trains and mentors Sa Wol, helping him achieve his dream in a dangerous and harsh world.
In 2071, toxic air pollution had devastated the world, leaving only 1% of the population alive. People rarely leave their homes and depend on respirator masks to breathe. A strict social stratification has been established in the deserted lands of the Korean Peninsula. Citizens, who have access to housing & amenities; delivery drivers known as Knights, who protect & deliver packages of the precious source of Oxygen; and Refugees who are left on the outskirts to struggle & fight to survive. (MDL)
AKA : Courier | Delivery Knight | Delivery Driver
Whumpee : Yoon Sa Wol played by Kang Yoo Seok (left)
• 5-8 played by Kim Woo Bin (right)
Country : 🇰🇷 South Korea
Genres : Action, Adventure, Sci-Fi
Notes : This is a Full Whump List
• Adapted from the webcomic "Taekbaegisa” by Lee Yoon Kyun
• It really gives off Mad Max Fury Road vibes (in a good way)
• There's a fair number of personal thoughts in the list below, but I think it just goes to show how much I liked the drama
• I actually went though the trouble (& possibly causing my old af laptop to crash) of making a gif for a part 😆
Episodes on List : 6
Total Episodes : 6
*Spoilers below*
01 : (@ 1:22, ok, but it'd woulda been cool if this was a live qr code) … Yoon Sa Wol removes his mask & fights a gang alone (wins) … sparring … made to stand on his head as punishment, kicked over, something thrown at him, nosebleed … pushed out a moving truck (comedic) … shot in the head
02 : … continued from previous ep. ... Found, transported … bandaged, wakes, head pain (how TF is he even still alive?!), panicked, held down, knocked out with a shot of drugs (@ 7:12, I'm sorry, the bullet was stopped by his skull??!! how hard headed is he?! - is this kid Wolverine or an android?) … (@ 8:53 you'd think with O2 being scarce they wouldn't use an O2 eater like fire so much) … goes out looking for a fight, beat up with pipes & bats.. hits in the back of the head, collapses, passes out … comatose … pushed off a roof (accidentally - comedic) (@ 36:32 he's a Mutant! X-man! Wolverine for the win!)
03 : [flashback] 5-8 is knocked over by explosions.. in a fight.. shot … (@ 16:54 #O.O# oh my! lol *gif 👀) … [present] 5-8 & Sa Wol spar (Sa Wol gets his ass handed to him) (@ 17:39 he just likes slapping that doesn't he 😆) … Sa Wol is hit with baseballs from a pitching machine … [switching back & forth quickly between various training & competition scenes:] sparring in a boxing ring, in a O2 deprivation room fighting, & dodging baseballs.. [in O2 dep. rm:] heavily bruised, unsteady, O2 at 5%, head pain, ear ringing, traumatic flashbacks, chokehold … car crash
04 : Kickboxing match; bleeding, cut on his forehead
05 : Bruised, head pain, traumatic flashbacks, nosebleed
06 : Hit with the butt of a gun & knocked out … tries to fight, pinned down, knocked out with a shot of drugs … blood drawn … rescued, carried
More Whump Lists for this show:
love-me-a-lotta-whump
that whump aesthetic when a character is impeccably dressed except for the marks of a recent battle. leather watches and silver rings against wrapped wrists and scars on palms. bandages peeking out of sharply ironed collars or under freshly starched sleeves.
I Love stories where the setting is a character unto itself I love fucked up cities that are not only reflective of but formative to the main character
The city that you were born in. The city that you were reborn in. The city you were shaped by. The city you can never leave, despite all the filth and crime and death. The city that keeps drawing you back like water down a drain. It's miserable here and it's your home whether you like it or not. You don't like it, but some part of you loves it. A sufficiently fucked up city can be like a mother or ex wife to a sufficiently fucked up guy
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Okay I saw part of this question going around, and I think a poll might be easier, but also I was ridiculously curious about whether writing linearly or not affects the outcome of single vs multi docs, as well as
When you write multi-chapter stories, do you keep the whole story in one document or use separate documents for each chapter, do you write linearly or non-linearly, and do you outline or not?
If you do both or none, choose the option closest or that you do most often, and note exceptions in the tags.
One document - and I write linearly WITH outline
One document - and I write linearly WITHOUT outline
One document - and I write out of order WITH outline
One document - and I write out of order WITHOUT outline
Separate docs per chapter - and I write linearly WITH outline
Separate docs per chapter - and I write linearly WITHOUT outline
Separate docs per chapter - and I write out of order WITH outline
Separate docs per chapter - and I write out of order WITHOUT outline