Greafer

I call this phenomenon Jack Sparrow Syndrome because Jack Sparrow in the original POTC trilogy is Not The Protagonist; he's more akin to The Trickster or Mastermind or The Cunning Fool archetypes or some combination of these, which is what made him so compelling in the first 3 movies. None of these are compatible with being a Protagonist (at least not in the conventions established by POTC as a franchise) because the audience has to know what the protagonist's motives are to have any interest in the plot. a huge part of why Jack Sparrow *WAS* compelling in the original trilogy was that we (the audience) and characters around him never quite knew What His Deal Was.

a huge part of why the last two POTC suck ass (apart from the fact they're Just Bad) is because they made Jack Sparrow The Protagonist, and in doing so had to make him legible to the audience in a way that requires fundamentally altering the character's function in the story, and therefore fundamentally altering the character altogether. Often, for the worst. Jack Sparrow is far from the first or only character to suffer this fate.

I'd argue an early significant example of Jack Sparrow Syndrome is Lestat De Lioncourt, who was so fundamentally altered by becoming The Protagonist between IWTV and TVL that reading the books back to back had me seriously questioning if they were even written by the same author. Earlier still, one could make an argument for later Sherlock Holmes stories. Another example is Loki in the MCU, who went from being the literal god of mischief to a fucking COP for all of reality in his own show. I would also argue Spok suffers from this in many Star Trek reboots/spin-offs. There's another, more recent example, which is actually what inspired me to make this post, but the author doesn't deserve the attention.

When I explain this concept to people, they often suggest that I am talking about Flanderisation. While there can be some crossover, Jack Sparrow-ing is not reducing a character to their surface-level mannerisms, but it can appear that way. Often the character's typical mannerisms are ramped up to cover for a drastic character overhaul that places them in a more prominent role than they were designed for. Jack Sparrow-ing is taking a character who was never meant to be the Audience Way In. making them thus, and completely changing them in the process. While there are *some* examples where taking a Side Character and making them the Main Character has worked, it is my opinion that those are exceptions and not the Rule. It is also my opinion that this is one of the more tragic things that can happen to a character you love very much. thank you for coming <333

I am not sure whether you heard all that commotion last night? No, we were asleep. Both of us.

But... I do have some art ready to sell, if anyone is interested. Everything is hand-drawn on either Pastelmat or Grafix Drafting Film, and I only use lightfast pencils, such as Polychromos, Luminance, Pablos, and Derwent Lightfast, meaning they'll maintain their vibrancy for years.

Bumblebee - £55, Unicorn - £45

Rick Grimes eyes - £30, Carol Peletier eyes - £30

Highland cow 1 - £85 SOLD, Highland cow 2 - £40

Inhun chair embrace - £65 SOLD Inhun christmas - £75

Postage and packing to the uk is £8. I can ship elsewhere, but obviously I'll have to check costs before quoting.

Grace: