Agent pleakley at your service

Besides all of the racial representation, Lilo herself is very much a neurodivergent icon, and her portrayal as the protagonist is amazing considering how characters like her are typically either sidelined or depicted in ways to make them less sympathetic/human (modern media does at least a slightly better job at adressing that kind of thing tho).

So all of that is great, but to anyone that hasn’t seen Lilo & Stitch: The Series, it also does some extremely refreshing stuff.

Pleakley gets tons of validation to dress in drag, everyone always referring to Pleakley as “she” when dressed up as “aunt Pleakley.” There’s even an episode that tackles Pleakley dealing with the pressures of his family that wants him to marry a girl and settle down to have a “normal life.” After the episode's shenanigans, there's a realistic depiction of the misunderstanding of a heteronormative/traditional parent with their non-traditional child: Pleakley's mom says that she just wants her children to be happy, but when Pleakley says that he is happy, she thinks he's only trying to console her as she insists, "How can you be happy? You aren't even married." But Pleakley finally gets it through to his mom when he says, "I don't want to be married, mother! I'm happy just as I am."

After getting to meet all of Pleakley's ohana throughout the episode and hearing from Pleakley himself -after all of the previous misunderstandings- that he really, truly, is happy, she's finally starting to understand.

Even though his mom comments as they leave that she wants him to “try wearing men’s clothes more often,” she still does walk away accepting that she simply doesn’t understand her son's way of thinking. It’ll definitely be hard for her since she’s so much more “traditional,” but she’s finally coming to grips with the fact that her son is who he is, and likes being that way, so she’ll love him regardless. She's trying her best.

The portrayal of people with physical disabilities is also great. It’s not because there’s one recurring character with some condition, but almost because there are non-recurring characters. It isn’t in every episode, but here’s an example: they want to show someone at the park playing fetch with their dog for just one shot. They could very easily have it be any a random person, but they decided to make it a lady in a wheelchair. There's another episode where Nani's friends from highschool show up and one has forearm crutches, but not just because she had some recent accident. No one in the episode questions her condition or feels the need to point it out, the only comment on it being that the friend will use the crutches to lightly bonk the others' arms, and Nani jokes, "You are still deadly with that thing."

The fact that they include characters with disabilities when they "don't have to" makes it that much more normal. These people aren't some special case or the main highlight of the episode, they're just another person. They're normal.

from a design perspective, even though he's an alien, he has so many little anatomy quirks that make him a more believable fat character than many fat human designs in other media. I love the realistic sag and layering of the fat on his arms, the lack of neck definition, the rim of chub around his face and upper back, the way his back is rounded. his clothes pull taut and pinch in anatomically accurate places (e.g. shoulders are firmer = smoother outlines, the sides and back are squishier = bumpier outlines).

and he's stylized so well! all these great details boiled down to some simple shapes and pen strokes. IMO the Lilo and Stitch art style is extremely appealing - it's warm and clean and visually pleasing, but every character is super unique. Jumba isn't supposed to be pretty, but even though he's a very large, very fat, bald older guy who spends most of the movie in crop tops, the way he's stylized and staged makes it clear the audience is supposed to find him interesting to look at, and variably intimidating/cool/powerful/capable. he's often funny, but the physical aspect of his comedy is derived from being so hefty the other characters struggle to prevent him from barreling ahead and doing whatever he wants; being fat makes him come off more in control of the funny situations he gets into, not less. also, because the art style is what it is, a lot of his character acting also just makes him look kind of cute ... though that's universal across the cast

I also really like the fact that his size clearly gives him both realistic advantages and realistic disadvantages. along with having a stronger sense of agency in the comedic scenes, his size in combination with his impulsivity also makes him a more intimidating antagonist. you never know what he's going to do, and his size makes it difficult for other characters to stop him when he's made up his mind. at the same time, it seems to take him longer to catch his breath, he sometimes grunts when moving around a lot to imply it takes more effort, and he clearly struggled to find clothes that fit him when putting together his disguise. I think it's awesome that the character's size impacts how he interacts with the world so much, and again, in relatable ways

and personality wise, it is ALWAYS great to see fat characters portrayed as intelligent - not only is Jumba an accomplished scientist, he's also crafty and witty! a few quiet scenes imply a philosophical side, as he ponders on Stitch's existence and feelings as a living weapon. with Stitch explicitly being made in his own image to an extent, I'd argue there's even room to interpret some of the things he says about Stitch being hints to how he sees himself; we never learn much about Jumba's past, but it's clear he's a social misfit and strongly defiant. I don't think it's a stretch to assume some of what he said to Stitch about being a monster who can never belong anywhere was intended to read as projection (which makes it all the more heartwarming when both of them find a place to belong on Earth)

it's also a nice twist that toward the end, Jumba is the one who is unexpectedly compassionate toward Nani, while Pleakley tries to urge him to ignore her. again alluding to a level of emotional depth and intelligence that is often missing from even well-intentioned depictions of fat people. his character isn't even fully explored, and yet he's one of the most dynamic and interesting supporting characters in a movie full of fantastic characters. the audience is expected to find him fascinating and even sort of mysterious, and he is!

the sequels and spinoffs were more merchandise-driven franchise fluff for kids than the artsy direction of the original movie, but even so, I remember Jumba went on to become Lilo's lovable, amoral uncle figure, which I also thought was so fun as a kid. I love that they committed to the fact that he was more caring and compassionate than he seemed. not only was he a cool evil mad scientist character, but he was also eventually ... a friend ...

I did not forget abt them chat 😔💖

My motivation has been just awful lately-